Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here. "Take a Pebble" might have passed for a Moody Blues track of the era but for the fact that none of the Moody Blues' keyboard men could solo like Keith Emerson.
Welcome back, my friends, to the show that never ends. Well, such is the idea for an Emerson, Lake & Palmer compilation, but this one does tend to fall a bit short, literally. After all, since it was originally released as an LP, the disc comes in at less than 40 minutes. Certainly with a catalog as rich as Emerson, Lake & Palmer's it is extremely difficult for one CD (especially a short one) to truly capture the essence of the group. This one fails both as a chronological compilation and as the best-of that it is billed as being. That said, there are some good points here. "Lucky Man," "Peter Gunn," and "Still You Turn Me On" are all essential Emerson, Lake & Palmer cuts that truly work well here.
A 7CD box set collecting five remastered ELP performances from 1970 to 1997, culminating in an unreleased concert from Phoenix, Arizona.
Emerson, Lake & Palmer (ELP) is one of the most popular and successful english progressive rock bands in history. The main characteristics that made the trio so popular were their technical skills and their showmanship. It wasn't very usual -back then- to see such technically proficient musicians like keith Emerson (keyboards) or Carl Palmer (drums) to develop such a highly-visual concert experience; which in fact made an often quite complex music genre, instantly appealing to a broad audience. The Many Faces of Emeron, Lake & Palmer is a key release that shows uknown aspects of their successful career.
EMERSON LAKE & PALMER (ELP) reformed for the first time since 1998 to headline the High Voltage Festival on Sunday July 25th 2010. 2010 marked the 40th anniversary of the creation of Emerson Lake and Palmer, the band that was formed from King Crimson, The Nice and Atomic Rooster. They became the first true prog-rock Super Group and defined an era…
Greg Lake left behind a rich musical legacy when he passed away in 2016. As a member of Emerson Lake & Palmer, King Crimson, pre-Crim bands The Shy Limbs and The Shame – not to mention his talents as a solo artist, producer, and composer – he helped define the landscape of progressive rock. A new career-spanning compilation called The Anthology: A Musical Journey will pay tribute to his contributions through the decades. The two-disc set features 33 tracks, including many of Lake’s best-known songs, beloved album cuts, and rarities. There’s the hard-to-find “Love” that Lake recorded with The Shy Limbs, ELP favorites “Take a Pebble,” “‘C’est La Vie.” and “Lucky Man.” His time with King Crimson is represented with “Peace” from In the Wake of Poseidon, “In The Court Of The Crimson King.” recorded live at the Fillmore West, and “21st Century Schizoid Man” as performed solo in 1981. A clutch of ’80s solo material is also included, alongside a collaboration with Geoff Downes and a number of live recordings. Lake’s re-recording of the old ELP favorite “Closer To Believing” – one of his final recordings – is another highlight of the collection.
The original Lady Lake were formed in 1973 in the town of Deventer, named after the second album of UK progsters Gnidrolog. Influenced by the likes of Camel and in a lesser extent Focus and Genesis, Lady Lake offer extremely well-arranged and highly melodic progressive rock with a variety in moods and atmospheres. The ultra-sensitive guitar work of Fred Rosenkamp will definitely remind you of Camel's Andy Latimer, presenting a very melodic style with nice harmonies, a slight Canterbury feel and even some bluesy touches. A few pastoral passages with calm guitar playing is very close to early Genesis, while some jazzier parts remind of Jan Akkermann. Keyboards come as an absolutely fascinating element of Lady Lake's music with superb atmospheric parts and lots of good solos.