‘Infinite Health’ is the engrossing sixth album by Tycho, the two-time-GRAMMY-nominated project of celebrated San Francisco songwriter, musician and producer Scott Hansen. The album will be released on August 30 via Mom + Pop Records in the U.S. and Ninja Tune in the rest of the world, and is announced today with lead single and accompanying video, “Phantom”.
Trinidad. 4,768 km2 of land surrounded by turquoise waters, a unique piece of the Caribbean puzzle where musical vibrations arrive on the waves from the neighbouring islands.
Very obscure and unknown, strictly short-lived and super rare to spot, but worth mentioning in the end, Plat du Jour mark a dot on the French eclectic Prog map, somewhere near Rouen apparently, during the year 1977. Their self-titled LP was released under the label Speedball, five compositions (or six, depending on how the first two-part epic is regarded) lasting around 35 minutes. The music can be placed either in jazz-rock, either in avant-prog, but with those two essences clustering and a bit of extra fuzzy psychedelism, cold bass Zeuhl and straight progressive rock being heard, it's wiser to take in account all the nuances.
This is the seventh and last Wigwam studio album for this time, because after the release of this album, they just fade away as a group, and they made their last Scandinavian tour in December 1977.
‘Infinite Health’ is the engrossing sixth album by Tycho, the two-time-GRAMMY-nominated project of celebrated San Francisco songwriter, musician and producer Scott Hansen. The album will be released on August 30 via Mom + Pop Records in the U.S. and Ninja Tune in the rest of the world, and is announced today with lead single and accompanying video, “Phantom”.
Incerto is the birth of an exciting new modern jazz ensemble featuring the remarkable trio from Suite for Piano (Brian Marsella, Jorge Roeder, Ches Smith) joined by the brilliant guitarist Julian Lage. A quartet capable of anything, this is the perfect group to realize Zorn’s quirky compositional twists and turns. The music is wildly varied—maddeningly complex, powerfully driving, heartbreakingly beautiful—and embraces complex meter changes, atonal melodies, unusual harmonies, and bizarre structural complexity. Inspired by Freud, Sartre, and the Uncertainty Principle, the music explores possibilities, probabilities, inevitabilities, and impossibilities.