Larry Bunker at Shelly's Manne Hall

Larry Bunker Quartette featuring Gary Burton - Live at Shelly's Manne-Hole (1963) {Vault--EMG remastered, rel 2011}

Larry Bunker Quartette featuring Gary Burton - Live at Shelly's Manne-Hole (1963) {Vault–EMG remastered, rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 207 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 1963, 2011 Vault / Essential Media Group
Jazz / Cool / Post Bop / Drums / Vibes

The versatile West Coast jazz drummer, vibraphonist and percussionist Larry Bunker is featured here leading an amazing quartet featuring world renowned vibraphonist Gary Burton; Mike Wofford (piano) and Bob West (bass); recorded live in 1967 at the famous West Coast jazz club, Shelly's Manne-Hole, founded by the legendary jazz drummer Shelly Manne, featuring compositions by Mike Gibbs, Cole Porter, Phil Woods, Jerome Kern and others. All selections newly remastered.
Billie Holiday - Velvet Mood (1956/2015) [Official Digital Download 24-bit/192kHz]

Billie Holiday - Velvet Mood (1956/2015)
FLAC (tracks) 24-bit/192 kHz | Time - 37:39 minutes | 1,83 GB
FLAC (tracks) 24-bit/96 kHz | Time - 37:39 minutes | 835 MB
Studio Mono Master, Official Digital Download | Artwork: Front cover

This 1956 album of standards from Billie Holiday has long been out of print, despite receiving a five star review in DownBeat magazine when released. Holiday was always very demanding about the quality of her musicians and this session was no exception; she is backed by a superb sextet that features Benny Carter on alto sax, Harry “Sweets” Edison on trumpet, Barney Kessel on guitar and Larry Bunker on drums.

Shelly Manne - 2 3 4 (1962) {2012, Japanese Edition}  Music

Posted by popsakov at Jan. 12, 2023
Shelly Manne - 2 3 4 (1962) {2012, Japanese Edition}

Shelly Manne - 2 3 4 (1962) {2012, Japanese Edition}
EAC Rip | FLAC (Img) + Cue + Log ~ 237 Mb | MP3 CBR320 ~ 110 Mb
Full Scans | 00:35:07 | RAR 5% Recovery
Cool Jazz, Hard Bop | Impulse! / Universal Music #UCCU-6210

This unusual set has five selections from a date featuring the great tenor Coleman Hawkins, pianist Hank Jones, bassist George Duvivier, and drummer Shelly Manne. Both "Take the 'A' Train" and "Cherokee" find the group at times playing two tempos at once (Manne sticks to double-time throughout "Cherokee"), and showing that they'd heard some of the avant-garde players. The most swinging piece, "Avalon," was previously available only on a sampler, while "Me and Some Drums" features Hawkins and Manne in a very effective duet; the veteran tenor makes his only recorded appearance on piano during the first half. This date is rounded off by a pair of trio features for Eddie Costa (with Duvivier and Manne); one song apiece on vibes and drums. A very interesting set with more than its share of surprises.
Shelly Manne - 2 3 4 (1962) [Analogue Productions 2011] PS3 ISO + DSD64 + Hi-Res FLAC

Shelly Manne - 2 3 4 (1962) [APO Remaster 2011]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 35:06 minutes | Scans included | 1,03 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 936 MB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Full Scans included | 829 MB

2-3-4 is an album by American jazz drummer Shelly Manne featuring performances recorded in 1962 for the Impulse! label. 2-3-4 was not a typical album for Manne. Then associated primarily with West Coast jazz, he flew from Los Angeles to New York City on February 5, 1962, by arrangement with producer Bob Thiele, to be reunited with pioneering tenor saxophonist Coleman Hawkins and pianist Hank Jones, with both of whom he had recorded at different times in the 1940s. In an unusual session lasting through the wee hours of the morning, he ended by recording one tune as a duet with Hawkins, who for the first time in his career was recorded also playing the piano.

Shelly Manne - 2 3 4 (1962) [Reissue 2010] (Repost)  Music

Posted by gribovar at June 21, 2019
Shelly Manne - 2 3 4 (1962) [Reissue 2010] (Repost)

Shelly Manne - 2 3 4 (1962) [Reissue 2010]
EAC Rip | FLAC (tracks+.cue+log) - 207 MB | MP3 CBR 320 kbps (LAME 3.93) - 83 MB | Covers - 29 MB
Genre: Jazz | RAR 3% Rec. | Label: Analogue Productions (CIPJ 20 SA)

This unusual set has five selections from a date featuring the great tenor Coleman Hawkins, pianist Hank Jones, bassist George Duvivier, and drummer Shelly Manne. Both "Take the 'A' Train" and "Cherokee" find the group at times playing two tempos at once (Manne sticks to double-time throughout "Cherokee"), and showing that they'd heard some of the avant-garde players. The most swinging piece, "Avalon," was previously available only on a sampler, while "Me and Some Drums" features Hawkins and Manne in a very effective duet; the veteran tenor makes his only recorded appearance on piano during the first half. This date is rounded off by a pair of trio features for Eddie Costa (with Duvivier and Manne); one song apiece on vibes and drums. A very interesting set with more than its share of surprises.
Billie Holiday - Body And Soul (1957/2014) [Official Digital Download 24-bit/192kHz]

Billie Holiday - Body And Soul (1957/2014)
FLAC (tracks) 24-bit/192 kHz | Time - 45:56 minutes | 971 MB
FLAC (tracks) 24-bit/96 kHz | Time - 45:56 minutes | 519 MB
Studio Mono Master, Official Digital Download | Artwork: Front cover

The title track is one of the most recorded jazz songs in history and Billie Holiday's interpretation on this 1957 release is arguably considered one of the best, if not the definitive version. Producer Norman Granz brings out the best of her voice on this album from late in her career, accompanied by a superb band that includes Ben Webster on tenor sax.
Art Pepper - Surf Ride (1956) [Japanese SHM-SACD 2012] SACD ISO + DSD64 + Hi-Res FLAC

Art Pepper - Surf Ride (1956) [Japanese SHM-SACD 2012]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 36:43 minutes | Scans included | 1,23 GB
or DSD64 Mono (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 1,04 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Full Scans included | 784 MB

Surf Ride is an album by saxophonist Art Pepper featuring sessions from 1952-54 which was originally released as a 12 inch LP on the Savoy label in 1956. All of the recording presented in original Mono format.
Larry Williams - At His Finest: The Specialty Rock'n'Roll Years (2CD, 2004)

Larry Williams - At His Finest: The Specialty Rock'n'Roll Years (2CD, 2004)
FLAC (tracks+cue,log,scans) | 1:56:30 | 576 Mb
Genre: Rock & Roll, Rhythm & Blues, Rockabilly, Early R&B / Label: Ace Records

When Larry Williams picked up the banner so prematurely dropped by his Specialty label mate Little Richard in 1957, he became for a while the very personification of rock'n'roll. Frantic but always in control, wild but witty, crazy but cool, he had an unquenchable taste in bizarre women: short, fat, bony, dizzy or jelly bellied, Larry loved 'em all.

Survival Bunker: How To Build And Equip Your Own Bunker And Store Food And Water For 5 Years  eBooks & eLearning

Posted by Free butterfly at Feb. 20, 2023
Survival Bunker: How To Build And Equip Your Own Bunker And Store Food And Water For 5 Years

Survival Bunker: How To Build And Equip Your Own Bunker And Store Food And Water For 5 Years by Benjamin Adams
English | 2018 | ISBN: N/A | ASIN: B07467CD86 | EPUB | 0.86 Mb
Marlon Williams - Live at Auckland Town Hall (2019) [Official Digital Download]

Marlon Williams - Live at Auckland Town Hall (2019)
FLAC (tracks) 24-bit/44.1 kHz | Time - 82:03 minutes | 974 MB
Studio Master, Official Digital Download | Artwork: Front cover

While Make Way For Love draws on Marlon’s own story, it captures the vagaries of relationships we’ve all been through: the bliss, ache, uncertainty, and bitterness. Like the best breakup records, 'Make Way For Love' doesn’t shy away from heartbreak, but rather stares it in the face, and mines beauty from it. Delicate and bold, tender and searing, it’s a mightily personal new step. Make Way For Love was recorded with producer Noah Georgeson and his backing band, The Yarra Benders, in North California’s Panoramic Studios after several weeks of pre-production in his native Lyttelton with regular collaborator Ben Edwards. The finished result moves Marlon several paces from “country” the genre that’s been affixed to him more than any in recent years, but one that’s always been a bit too reductive to be wholly accurate with forays into cinematic strings, reverb, rollicking guitar and at least one quiet piano ballad, on his most expansive work to date.