Larry Carlton

Some of jazz' finest musicians join guitarist Larry Carlton on Deep Into It, his second CD as a leader for the Warner Bros. Jazz label. Carlton wrote six new songs for this offering, and covers such songs as "Put It Where You Want It," written by Joe Sample, and the Stevie Winwood hit "Roll With It." Accompanying musicians are Chris Potter on saxophone and Billy Kilson on drums, both known primarily for their work with the Dave Holland Quintet; Harvey Mason, who holds down the rhythm logic on "I Still Believe"; and smooth jazz phenom Kirk Whalum, who turns in a great solo on the title track, on tenor saxophone. The two tenor saxophonists are highly capable in different approaches, and Carlton makes good use of both Potter and Whalum throughout the program. R&B hitmaker Shai lends his soulful vocals to "I Can't Tell You Why," and truly gives the Eagles' mega-hit a fresh interpretation with his one-of-a-kind artistry.

Three-time Grammy winner, Larry Carlton and Takahiro "Tak" Matsumoto, the most renowned guitarist in all of Asia, teamed up to compose, record, and release "Take Your Pick", an extraordinary collection of 12 original instrumentals already being hailed as "one of the most significant collaborations of contemporary guitar of all time."

By the time Larry Carlton recorded Friends, his status as a guitar legend had already been established. In addition to being admired by musicians, he was also loved by Muzak programmers. His blend of happy pop-jazz was the perfect background music for dentist offices. For those who care to listen closer, there is some excellent guitar work being performed. A good example of this would be his creative improvisation on the introduction to "South Town." His duet with B.B. King on "Blues for TJ" is wonderful. It is refreshing to hear two players who are more interested in sharing ideas than showing off. The scat version of "Tequila," courtesy of Al Jarreau, was also interesting. As with most Carlton recordings, there is something here for just about everyone; there's just not enough of it.

Following up his surprise hit debut on acoustic guitar, Alone/But Never Alone, Carlton offers a collection of easygoing, laid-back, Wave-oriented smooth jazz that slowly reveals hints of the full range of his capabilities. At first, it sounds as if the guitarist would be merely killing time here, but starting with the funky "Knock on Wood," things get progressively more interesting as Carlton seems to find his funky bearings. "Discovery" is actually quite nice with its cushiony vamp; "My Home Away From Home" finds Carlton flashing his acoustic chops quite effectively; the shuffling "Minute By Minute" garnered a lot of airplay. Kirk Whalum can be relied upon for stock, crowd-pleasing R&B tenor solos on several tracks, while Terry Trotter plays digital synths, John Pena handles the bass, and Rick Marotta is on drums. Nice stuff, not too demanding, but it wears well.

One of the greatest jazz-rock guitarists of the '80s and '90s provides this classic Christmas guitar album. A hugely successful guitarist and composer, Larry Carlton emerged from the Los Angeles studio scene of the late '60s, eventually becoming a popular contemporary jazz artist in his own right. Noted for his lithe technique, sweet-toned, blues-inflected sound, and distinctive use of volume pedals, Carlton first came to prominence as a member of crossover jazz and R&B outfit the Crusaders. From there, he developed into an in-demand session player, recording on up to 500 albums a year and appearing on over 100 gold albums. His studio credits from the '70s and early '80s include work with musicians and groups like Steely Dan, Joni Mitchell, Michael Jackson, Sammy Davis, Jr., Herb Alpert, Quincy Jones, Bobby Bland, Dolly Parton, Linda Ronstadt, and literally dozens of others.

Larry Carlton - Four Hands & A Heart Volume One (2012) {335 Records 335-1209}
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© 2012 335 Records, Inc. | 335-1209
Jazz / Blues / Guitar

This record is something special to Larry’s heart. He reviewed these previously recorded solo albums, “Larry Carlton”, “Strikes Twice”, and Sleepwalk” and picked tracks from them that really meant a great deal to him and recorded new electric/acoustic guitar versions of these classic Larry Carlton Tunes. I discovered Larry Carlton in 1978, when I bought his "Larry Carlton" lp. I was blown away by his virtuosity and his electric guitar tone. But there was something else, quite difficult to pin down. I finally read somewhere that Joni Mitchell described his playing as "like fly fishing." And that's it. It just makes you feel well; listening to his playing took me to a higher plane. This album does that in spades. The format here just gives you his naked guitar playing, and it's just beautiful. Less is more, indeed.