Larry Willis Steal

Here is trio jazz from a veteran pianist, one of the best in America. With Bob Cranshaw on bass and Kenny Washington on drums - a great rhythm section!
Once identified with on-the-edge free music, keyboardist Larry Willis had a profitable flirtation with fusion in the '70s, then moved to hard bop in the '80s and '90s. Willis' playing has been frenetic, ambitious, and interesting, but during his jazz-rock and fusion days it was funky but greatly restrained and simplistic. A devotee of Herbie Hancock, Willis has found a good balance, with expertly constructed modal solos and also lyrical, relaxed statements.

Here is trio jazz from a veteran pianist, one of the best in America. With Bob Cranshaw on bass and Kenny Washington on drums - a great rhythm section!
Once identified with on-the-edge free music, keyboardist Larry Willis had a profitable flirtation with fusion in the '70s, then moved to hard bop in the '80s and '90s. Willis' playing has been frenetic, ambitious, and interesting, but during his jazz-rock and fusion days it was funky but greatly restrained and simplistic. A devotee of Herbie Hancock, Willis has found a good balance, with expertly constructed modal solos and also lyrical, relaxed statements.

Inner Crisis by Larry Willis is one of the very finest examples of electric jazz-funk from the mid-'70s. With sidemen who included guitarist Roland Prince, drummer Al Foster, tenor saxophonist Harold Vick, and trombonist Dave Bargeron, as well as bassists Eddie Gomez (acoustic) and Roderick Gaskin (electric), Willis assembled a session that was long on composition and tight on the big groove. Willis' long front lines accentuated deep soul and blues' cadences that were hallmarks of music that walked the line between tough lean groove and the pulsating rhythm of disco without losing its jazz roots to sterile fusion tropes, thanks in large part to his willingness as a pianist to play as part of an ensemble rather than as a soloist…

Long a greatly in-demand sideman, pianist Larry Willis excels during this opportunity to lead his own trio. With superb support from bassist Buster Williams and the tasteful drummer Al Foster, Willis explores a variety of standards, obscurities, and a pair of his originals. The interpretations are lyrical, quietly emotional, harmonically sophisticated, and full of subtle surprises. This is the type of jazz recording that grows in interest with each listen, for there is a great deal happening just beneath the surface.

Altoist Jackie McLean has recorded so many fine albums throughout his career, particularly in the '60s for Blue Note, that Mosaic could have reissued his complete output without any loss of quality. This four-CD limited-edition box set contains six complete LPs worth of material plus one "new" alternate take. The music (which also features trumpeters Charles Tolliver and Lee Morgan; pianists Herbie Hancock, Larry Willis, and Harold Mabern, vibraphonist Bobby Hutcherson, bassists Cecil McBee, Bob Cranshaw, Larry Ridley, Herbie Lewis, and Don Moore, drummers Roy Haynes, Billy Higgins, Clifford Jarvis, Jack DeJohnette, and Billy Higgins) is explorative (showing the influence of Ornette Coleman) but without totally disregarding McLean's bebop roots. ~ AllMusic