Nice, more light than emphatic Afro-Latin and jazz mixture by flutist Herbie Mann and composer/vocalist Joao Gilberto from 1965. The two make an effective team, with Gilberto's sometimes sentimental, sometimes impressionistic works effectively supported by Mann's lithe flute solos.
Nara Leão, the Musa da Bossa Nova (Bossa Nova's Muse, as she is affectionately known), was a prominent figure in bossa nova. She didn't restrict herself as a bossa nova singer, though, and was one of the first artists to engage in the movement later known as "canção de protesto" (protest song), an artistic movement which denounced military dictatorship in Brazil. She launched the careers of such composers/interpreters as Chico Buarque, Zé Keti, Martinho da Vila, Edu Lobo, Paulinho da Viola, and Fagner. An international performer in spite of her short, uneducated voice, she left an expressive discography even though death caught her by surprise at such a precocious age…
Nara Leão, the Musa da Bossa Nova (Bossa Nova's Muse, as she is affectionately known), was a prominent figure in bossa nova. She didn't restrict herself as a bossa nova singer, though, and was one of the first artists to engage in the movement later known as "canção de protesto" (protest song), an artistic movement which denounced military dictatorship in Brazil. She launched the careers of such composers/interpreters as Chico Buarque, Zé Keti, Martinho da Vila, Edu Lobo, Paulinho da Viola, and Fagner. An international performer in spite of her short, uneducated voice, she left an expressive discography even though death caught her by surprise at such a precocious age…