A long-awaited new release of one of the world’s most respected medieval music ensembles, Crawford Young’s Ferrara Ensemble continues its interpretation of late Gothic composers, in the first recording ever of what has been called the Mt. Everest of music notation puzzles - Angelorum psalat of the Codex Chantilly, recently published in a new edition by Crawford Young. A pinnacle of complexity, the Codex Chantilly, c1400, reflects the taste of popes and secular rulers such as Jean, Duc de Berry.
Presented in a stylish 4-CD box set, here is a comprehensive recording of one of the most enigmatic manuscripts in the history of European music, preserved in the museum at the Château de Chantilly, France. ‘Anything that can be sung, can be written in music notation,’ claimed an anonymous treatise on notation in the late fourteenth century. The harmonies thus ‘captured’ on parchment represent an apex in Western music, associated with the wealthiest courts in Christendom, called ‘decadent’ by some.
This outstanding 2 CD released contains Ahmad Jamal's complete trio recording with guitarist Ray Crawford and bassist Israel Crosby collected here for the first time ever on one edition. The trio recorded three albums together in 1955 for the Argo (Chamber Music Of The New Jazz) and Epic (Ahmad Jamal trio, Ahmad Jamal) Records Label. This release boasts all of these albums in their entirety including the complete May 5, 1962 Piano Scene session (with Eddie Calhoun replacing Israel Crosby on bass ) that was originally released as part of Epic's 1955 Ahmad Jamal album, featured here as bonus tracks. And speaking of bonus tracks, this released also contains the complete 1956 Argo LP Count 'Em 88 featuring Ahmad Jamal leading a trio with Israel Crosby and drummer Walter Perkins.
It was the age of the Lumière Brothers, Alexander Graham Bell, Karl Benz, the Wright Brothers and Louis Blériot, Marie Curie and Louis Pasteur – an age not unlike our own, marked by rapid scientific and technological development as well as intense literary, artistic and musical activity. The Belle Époque, the period between the end of the Franco-Prussian War in 1871 and the outbreak of World War One in 1914, was a time of apparent peace and prosperity but with a darker reality of social and economic deprivation lying not far beneath its gilded surface. This era of creativity and contradiction has long fascinated Daniel Hope: “I often wish I had a time machine to go back to the salons of Paris, indeed to that entire age,” he says.