Why Flash-back? “Because almost twenty years ago I left orchestral playing. A big decision. I started to look for another role for the double bass in the world of classical music, with my only compass being instinct, with no preconceived ideas, and the only safeguard being knowing when to stop if necessary, to look and learn. This CD is like a photo album, or rather a kind of image viewer such as you used to find next to historic monuments. It has been said that the double bass is limited; we often hear of this or that double bassist “pushing the limits”. I wanted to be exactly ON the edge, at the edge of sound, the edge of volume, the edge of technique…” Laurène Helstroffer Durantel
Why Flash-back? “Because almost twenty years ago I left orchestral playing. A big decision. I started to look for another role for the double bass in the world of classical music, with my only compass being instinct, with no preconceived ideas, and the only safeguard being knowing when to stop if necessary, to look and learn. This CD is like a photo album, or rather a kind of image viewer such as you used to find next to historic monuments. It has been said that the double bass is limited; we often hear of this or that double bassist “pushing the limits”. I wanted to be exactly ON the edge, at the edge of sound, the edge of volume, the edge of technique…” Laurène Helstroffer Durantel
Un après-midi d’été, Marie Laguerre rentre chez elle, à Paris. À son passage, un homme la provoque. Ce n’est pas le premier : le harcèlement de rue fait partie du quotidien des femmes.
Ce jour-là, Marie Laguerre ne baisse pas les yeux. Riposte. L’inconnu revient vers elle et la frappe. La vidéo de la scène sera vue plus de 10 millions de fois. …
Un décryptage, illustré de témoignages de professionnels, des nouvelles méthodes de recrutement. Les auteurs retracent la légitimité méthodologique de chacune de ces nouvelles pratiques, décrivent leurs conditions de fiabilité et mettent en exergue les opportunités qu'elles offrent aux candidats et aux recruteurs. …