Laying Down The Law David Hamer

The Law is the first and only album from the rock supergroup The Law. The Law were an English rock group formed in 1991 by singer Paul Rodgers (ex-Free, Bad Company and The Firm) and drummer Kenney Jones (ex-Small Faces/Faces and The Who). They intended to use different supporting musicians, to allow Rodgers to pursue whatever style he wished. They assembled a core band of studio musicians, consisting of Jim Barber (whose credits include The Rolling Stones, Ruby Turner and Mick Jagger's solo album Primitive Cool) as the main guitarist, second guitarist John Staehely (ex-Spirit and Jo Jo Gunne) and bassist Pino Palladino (formerly of Paul Young's and Jools Holland's bands).

The Law is the first and only album from the rock supergroup The Law. The Law were an English rock group formed in 1991 by singer Paul Rodgers (ex-Free, Bad Company and The Firm) and drummer Kenney Jones (ex-Small Faces/Faces and The Who). They intended to use different supporting musicians, to allow Rodgers to pursue whatever style he wished. They assembled a core band of studio musicians, consisting of Jim Barber (whose credits include The Rolling Stones, Ruby Turner and Mick Jagger's solo album Primitive Cool) as the main guitarist, second guitarist John Staehely (ex-Spirit and Jo Jo Gunne) and bassist Pino Palladino (formerly of Paul Young's and Jools Holland's bands).

Vocalist Paul Rodgers had a strong track record with supergroups like Bad Company and the Firm, but he missed the mark with the Law. Rodgers and former Small Faces, Faces, and the Who drummer Kenney Jones formed a duo named the Law and released one album on Atlantic in 1991. In case any listener didn't recognize the stature of Rodgers and Jones, the liner notes trace their pedigrees…

Joel Schumacher's 1987 film The Lost Boys capitalized on a temporary lull in horror movies in the late '80s and created a heavily music-video-influenced vampire homage with enough campy humor, heavy metal costumes, and hunky stars to put a fresh spin on the genre. An amusing piece of eye candy spiked by a few creepy moments, the movie, in typical '80s style, relies heavily on the soundtrack to bolster its emotional core. The soundtrack, like the film, works great on the surface – but don't go much deeper. A mix of covers and bombastic '80s pop originals, the songs work best when they concentrate on the horror factor. Echo & the Bunnymen turn in an excellent cover of the Doors' "People Are Strange" that has a bouncier, more melodic touch than the original. Jimmy Barnes and INXS' "Good Times" is an energetic rocker used to personify the party-hardy SoCal atmosphere of the film. The strongest song is the movie's theme, "Cry Little Sister," a goth-influenced midtempo ballad.