Giacomo Meyerbeer was one of the most important composers in Paris during the mid-1800s. He is considered the founder of the French Grand Opera and his works dominated the French stage. Meyerbeer changed the face of opera in Paris, and yet, much criticism is directed toward him and much of his music is seldom heard today. This 3-CD set is the first of two volumes, which together honor Meyerbeer and reacquaint the listener with his marvelous music and some very interesting singing. These two volumes contain at least one version of every recorded Meyerbeer excerpt sung by French singers.
Henri Crolla (1920-1960) was an Italian jazz guitarist and film composer. Born in Naples, Campania, Italy, to a family of itinerant Neapolitan musicians, he moved with his family to Porte de Choisy in France in 1922 following the rise of fascism in Italy. One of his neighbours was a young Django Reinhardt, with whose family he became close. He also put to music many poems from Prévert's Paroles with Joseph Kosma.
Disciple de Boucher et de Chardin, Fragonard se détourne vite de l'académisme. Il part cinq ans à Rome et saisit par la peinture les émotions de ses modèles. Devenu l'un des premiers conservateurs du Louvre, il en est finalement chassé par Napoléon. …
Françoise Hardy was one of my favorite icons of the '60's, with her sweet clear voice, her songwriting talent, and her incredible style. She just oozed style. Eventually getting bored with the life fame brought her, she followed her own path out of the limelight, but these songs from the "ye ye" years of international stardom are a treat for her fans.
The myth of Phaedra and Hippolytus, as terrible as it is fascinating, has been retold by many artists over the centuries, including composers. This recording presents the first performance of Jean-Baptiste Lemoyne's opera in it's complete form since the premiere. It reveals a work whose classical surface conceals a style that is vehement, exalted and threatening by turns, a thrilling testimony to the bubbling energy of pre-Romanticism. Served by the total commitment of the Orfeo Orchestra and Purcell Choir under the direction of György Vashegyi, the drama closes in on the inescapable destinies of Phèdre, Hippolyte and Thésée, movingly sung by Judith van Wanroij, Julien Behr and Tassis Christoyannis.
This new project is a Tribute to Erasmus (1466-1536), a Dutch Renaissance scholar, known as the 'Prince of the Humanists'. Using humanist techniques for working on texts, he prepared important new Latin and Greek editions of the New Testament and also wrote 'In Praise of Folly', 'Handbook of a Christian Knight' and many other works. Erasmus lived against the backdrop of the growing European religious Reformation; but while he was critical of the abuses within the Church and called for reform, he kept his distance from Luther and Melancthon and continued to recognise the authority of the Pope. His middle of the road approach disappointed and even angered scholars in both camps. Jordi Savall regards him as a model of wisdom and tolerance.