le Manegement

In the second half of the seventeenth century, London experienced an artistic golden age, with the arrival of many foreign musicians and the proliferation of theatres and concert halls where audiences came to listen to the stars of the moment. One of these musicians was the Italian Nicola Matteis, who arrived around 1660 and became the sensation of the London music scene. Purcell was only a child at the time and there is no record of their meeting, but it is very likely that he was familiar with Matteis’s works, including his Ayres, recorded here for the first time in a version for four-part consort.

A live double album from the groups tours undertaken between 1975 and 1977 that wasn't released until 1986, this spectacular concert album features this premier Italian prog band performing at their very peak to an enthusiastic audience in, amongst other places, Milan, Parma and Bologna. Those familiar with the group will, at a glance, see a series of classic Le Orme tracks filling the set-list, whilst brief, and welcome interpretations of Jethro Tull and Led Zeppelin tracks also feature. The sound is raw but powerful, and despite the occasional sonic glitch this highly-anticipated release - which, originally was only available in either Japan or Italy - still stands up as a fine double-album that should be well-and-truly lapped up by both fans of the group and Italian progressive rock aficianado's…

Ce livre retrace la vie et les crimes de l'un des plus terrifiants tueurs en série du monde. né le 16 octobre 1936 à Lablotchnoïe (un village de l'oblast de Soumy, alors en RSS d'Ukraine) , Andreï Chikatilo a grandi dans une période marquée par la famine, la guerre et la répression du régime soviétique. Ces circonstances difficiles ont façonné une personnalité complexe et troublée, dont les pulsions meurtrières allaient semer la terreur pendant plus d'une décennie. …

Jordi Savall is painting Monteverdi in the colours of the Mediterranean. The Catalan maestro has entrusted the title role of this foundational work of Western music to a remarkable baritone: the magnificent Marc Mauillon embodies Orfeo, his resonant and ductile voice in perfect unison with the conductor’s musical vision. Here, a warm performance and rich sound reign supreme!

Projetée en pleine guerre de Troie, Pasiphaé n'a d'autre choix que de faire confiance à Phobos, son unique allié. Si elle veut retourner dans le présent, elle doit retrouver le Palladion, une relique appartenant à la déesse Athéna. Mais la quête s'annonce périlleuse. Un nouveau cycle de la saga Witch and God. …

This band were one of the major groups of the Italian prog rock scene in the seventies and one of the few Italian bands that were successful outside their own country.
"La Via Della Seta", which means the silk road, can be regarded as one long suite. All tracks are linked together and the music flows without any interruption making an imaginary journey along this road, where you encounter the ghosts of merchants, pilgrims, missionaries, soldiers, nomads and cruel barbarians exploring mysterious cities and civilizations. The music that comes along with this concept recalls the best moments of Le Orme. There's even more room for the guitars and the interaction between the piano and the keyboards is excellent while the powerful, brilliant rhythm section adds so much more to the compositions…

For this new recording of Vivaldi's Four Seasons, Jordi Savall conducts an all-female orchestra, as Vivaldi did in his time at the Ospedale della Pieta in Venice. The soloist Alfia Bakieva is a violinist of Tatar origin currently living in Salzburg, Austria. She is a multi-instrumentalist, particularly in the field of folk music, playing violin, folk fiddle, kyl- kobiz, ghizzhak and similar instruments. She studied Baroque violin with Enrico Onofri (Palermo Conservatory) and Hiro Kurosaki (Mozarteum University), focusing on historically informed performance practices in the Renaissance, Baroque, Classical and Romantic repertoires.