Heinrich Wilhelm Ernst (1812–65) was one of the leading musicians of his day, a friend of Berlioz, Chopin, Liszt and Mendelssohn, and for Joseph Joachim ‘the greatest violinist I ever heard’. This sixth album – in a series of seven presenting all his compositions for the first time – begins and ends with some of the most difficult music for solo violin ever composed: Ernst’s Six Polyphonic Studies and his transcription of Schubert’s song, Der Erlkönig. Between them comes less familiar fare: five Schubertian piano pieces, and two settings of Goethe.
“I have heard an angel sing,” wrote Schubert after he heard Paganini play in Vienna in 1828. Vilde Frang, partnered by pianist Michael Lifits, juxtaposes and links works by these two violinist-composers, who lived vastly different lives, yet are musically connected. Both found inspiration in the human voice and Frang sheds new light on Schubert’s demands for virtuosity and on Paganini’s sensitive musicality.
Heinrich Wilhelm Ernst was nothing more than a stupendously talented violinist and a staggeringly inventive transcriber of other composers' music. And as this 2008 Hyperion recording by violinist Ilya Gringolts shows, that is more than enough to sustain his career during his lifetime and just enough to maintain his reputation after his death.