Lee Artwater

In addition to having either written, arranged, or conducted for numerous respected pop artists, Lee Holdridge has penned countless scores for both TV shows and motion pictures. Born in Port-Au-Prince, Haiti (but raised in Costa Rica), Holdridge began studying music at the age of ten by taking violin lessons with a conductor of the National Symphony Orchestra of Costa Rica. By the time he was a teenager, Holdridge decided he wanted to become a composer, and relocated to Boston to study composition.

A composer of film, TV, and game music, indie soul songs, and funk-fueled electronica, producer/multi-instrumentalist Shawn Lee embarked on his eclectic career in music in the late '80s, completing his first solo LP in 1996, though it never received an official release. In the 2000s, he found homes for his solo material on labels such as Ubiquity and Wall of Sound and formed Shawn Lee's Ping Pong Orchestra. He also released albums with Clutchy Hopkins, and began taking work composing scores, including for the video game Bully (2006). The Ping Pong Orchestra continued into the 2010s as Lee formed psychedelic soul group the Electric Peanut Butter Company with Adrian Quesada and the indie electronic duo AM & Shawn Lee. Meanwhile, highlights of his periodic score work included the documentaries Elevate (2011) and Let It Soul (2018).

Sacred action in 2 parts by Pietro Metastasio-version for Solo, choir and orchestra by Antonio Salieri.

Aussie country superstar, Lee Kernaghan, drops another album to celebrate his 30th Anniversary year.

Norma Deloris Egstrom (May 26, 1920 – January 21, 2002), known professionally as Peggy Lee, was an American jazz and popular music singer, songwriter, composer, and actress, over a career spanning seven decades.

Peggy Lee's alluring tone, distinctive delivery, breadth of material, and ability to write many of her own songs made her one of the most captivating artists of the vocal era, from her breakthrough on the Benny Goodman hit "Why Don't You Do Right" to her many solo successes that showed her bewitching vocal power, a balance between sultry swing and impeccable musicianship.

By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin…Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.

By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin…Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.