Lou Gramm had been recording with Rochester, New York based band, Black Sheep, since the early 1970s. Releasing two LPs for Capitol, Lou Gramm met his future bandmate and songwriting partner Mick Jones in 1975 when Black Sheep opened for Spooky Tooth in Rochester. Mick Jones was looking for a singer for his new band in 1976, and Black Sheep having split at the end of 1975, Lou was free to audition for Mick’s new group, Foreigner. Releasing their self-titled album on Atlantic Records in 1977, and featuring solid gold rock classics as ‘Cold As Ice’ and ‘Feels Like The First Time’, Foreigner were an instant worldwide smash. Going from strength to strength, the band hit a commercial peak in 1984 with the “Agent Provocateur” album and the chart topping power ballad, ‘I Want To Know What Love Is’.
In October 1990, Lou Reed interviewed Vaclav Havel, playwright, poet, president of the newly emancipated Czechoslovakia, and – surprisingly? – a Velvet Underground fan. During the course of their conversation, Havel handed Reed a book. "These are your lyrics, hand-printed and translated into Czechoslovakian. There were only 200 of them. They were very dangerous to have. People went to jail." Nobody will go to jail for owning Between Thought and Expression, but Reed's lyrics remain dangerous – not, as in Communist Czechoslovakia, for what they are, but for what they say…
This 3CD/DVD/2LP Deluxe Edition of the legendary artist’s Sire Records debut features newly remastered sound, unreleased studio and live tracks, plus the DVD debut of “The New York Album” concert video. This limited edition and exclusive bundle also comes with a cassette version of the New York album.
This seventh volume in the Classics Mary Lou Williams chronology opens with a pair of gorgeous modern-sounding rhythm quartet tracks recorded in London on June 26, 1953. The next leg of her journey took her onto the northern European mainland. After a period spent gigging in France and Holland the pianist settled in Paris at the Hotel Cristal in St.-Germain-des-Prés, not far from the Deux Magots and the Café de Flore. On December 2, 1953 Mary Lou Williams recorded eight selections for the Vogue label with her good friend the perpetual expatriate tenor saxophonist Don Byas, bassist Buddy Banks, and drummer Gérard Pochonet. This exceptionally satisfying material has popped up here and there over the years but like much of Mary Lou Williams' oeuvre (and most jazz in general) it seems to have eluded the public…
The latest in Ace Records’ Songwriters series takes the listener from a version of ‘Why Don’t You Smile Now’ from Lou Reed’s pre-Velvet Underground days through selections from the band’s albums to three from 1972’s solo “Transformer”.