In late 1951, Louis Prima was hot on the heels of a comeback success the year before with "Oh Babe!," and a record so big that it spawned numerous cover versions by everyone from Wynonie Harris and Lionel Hampton to Kay Starr and even a Spanish language version by Lalo Guerrero ("Chitas Patas Boogie" on Imperial and used in the movie Zoot Suit with Edward James Olmos). After three follow-ups went nowhere (one of which was the immortal "Zooma Zooma"), Prima came to Columbia Records and was handed over to A&R chief Mitch Miller. And here was part of the problem. Prima's audience liked a cruder Louis and were used to records cut on shoestring budgets with production values that were as raw as the music they framed, while Miller's production was state-of-the-art squeaky-clean.