Leonard Barnstein

What is there left to say about this musical, deservedly one of the most famous in the canon? Created by what lyricist Stephen Sondheim described as "a unique concatenation of people" (Leonard Bernstein, Sondheim, Arthur Laurents, Jerome Robbins), the show remains as explosively vibrant, daring, and modern as it was decades ago. Bernstein integrated Latin percussion and jazz into his electrifying score, dazzlingly translating New York's unique vitality into a musical idiom. West Side Story has been adapted for jazz and interpreted by pop and opera singers, but you owe it to yourself to check out the original version to see what the fuss was all about. This new reissue adds over 20 minutes of "symphonic dances" as well as liner notes and production photos.

This 1991 tribute album reveals the broad range of Cohen's talent as composer in its dazzling variety of voices and styles. Following the prayer Who By Fire by House of Love, Ian McCulloch soars through Hey That's No Way To Say Goodbye, adding his own melancholy twist to the song's sublime sadness; The Pixies storm through I Can't Forget at their characteristic fast pace, whilst That Petrol Emotion poignantly render Stories Of The Street and James perform a meandering but moving So Long Marianne. Stephen Duffy of The Lilac Time gently caresses Bird On A Wire, followed by the Ugandan singer Geoffrey Oryema whose Suzanne, embellished by flute and a trio of guitars, fades out on a click-filled chorus. Quite brutal is David McComb's exploration of the sleazy Don't Go Home With Your Hard-on which shakes, rattles and rolls along with the best of the psychotic beats, while Dead Famous People, produced by Serge Gainsbourg, make a surprising success of a bubblegum singalong rendition of True Love Leaves No Traces. The star of the show is John Cale as he paints a truly great soundscape with only voice and piano in Hallelujah, a classic which would have remained buried in Cohen's own rather monotone version.

Fans of Leonard Bernstein will not want to miss the chance to snap up this limited edition 60-CD set, Bernstein Symphony Edition. With a list price of just over two dollars per disc, it's a bargain not to be missed. What's most impressive about these recordings of well over 100 symphonies made between 1953 and 1976, almost all of which feature the New York Philharmonic, is the scope and depth of Bernstein's repertoire. The complete symphonic works of many of the great symphonists are here.

Jamie Bernstein has reworked the narration written by her father, adding to the works frenetic complexity, which registers powerfully in this recording. Fans of heart-on-sleeve Berntsein will enjoy bold versions of his Chichester Psalms and Missa Brevis.

Beautiful 2008 five CD box containing digitally remastered editions of a quintet of seminal Leonard Cohen albums: Songs of Leonard Cohen (1968), Various Positions (1985), I'm Your Man (1988), The Future (1992) and Ten New Songs (2001). 46 tracks including 'Suzanne', 'Tower Of Song', 'Sisters Of Mercy' and 'First We Take Manhattan'. Columbia.

Electrifying conductor, brilliant composer, gifted pianist, inspiring teacher: Leonard Bernstein is one of the most famous and influential musicians of all time. Highlights of this two-disc sampling of the Maestro’s legendary recordings for Deutsche Grammophon include his incandescent interpretations of Haydn, Mozart, Beethoven, Tchaikovsky and Mahler, composers for whom he felt a profound affinity. And Bernstein’s lifelong dedication to American music is vividly illustrated with Gershwin, Barber and, of course, his own iconic West Side Story.

Leonard Slatkin celebrated his 75th birthday in September 2019. Many of the selections in this program come from a concert given in his honor and are also a tribute to his remarkable musical family, both past and present. Historical recordings include Leonard’s cellist mother, Eleanor Aller, being conducted by Korngold in the Haydn concerto and a 1944 broadcast of his father, Felix, as a solo violinist in Brahms. Every piece here has a deeply personal connection for the family. For his composition The Raven, Leonard used Edgar Allan Poe’s poem in a work that is “almost like a concerto for speaker and orchestra.”