Les Bodin's

L’édition annuelle du rapport de l’OCDE Regards sur l’éducation examine qui participe aux activités éducatives, quelles dépenses leur sont affectées, comment les systèmes éducatifs fonctionnent et quels sont les résultats obtenus.
Les indicateurs de résultats portent sur des aspects très variés, allant de la comparaison des performances des élèves dans des disciplines fondamentales jusqu’à l’analyse de l’impact de la formation sur les revenus et sur les possibilités d’emploi à l’âge adulte.

Ce livre, destiné aux étudiants en Master des sciences de la Terre et de l'Univers, sera également utile aux candidats aux concours d'enseignement. Cet ouvrage est consacré aux grandes structures géologiques, un domaine des sciences de la Terre où les progrès sont constants et de nouveaux concepts et de nouvelles interprétations formulés.

Au XVIIIe siècle, les œuvres musicales n’étaient pas conçues pour durer. Elles étaient dès lors sans cesse remaniées par leurs auteurs, ce qui nous vaut aujourd’hui de multiples versions sans qu’aucune ne soit véritablement définitive, ce que notre époque de puristes a quelquefois de la peine à comprendre.

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For the second volume in his Couperin series, keyboard virtuoso Bertrand Cuiller paints a portrait of a young Couperin who, at the age of only seventeen, was appointed organist of Saint-Gervais in Paris - a prestigious position to attain at any age. It was also a position that soon translated into his appointment as organist of the king and harpsichord master of the royal children. Couperin's compositions from this period are marked by a surprising maturity of writing. Bertrand Cuiller's eloquent performances reveal all the diversity and color present in these works.

The circumstances of the composition of Purcell's only opera, Dido and Aeneas, are unclear. First performed in the 1680s, it received few performances in the composer's lifetime, before disappearing until it's revival at the very end of the nineteenth century.

Cherubini's Les Abencérages, premiered in 1813, heralds the spectacle and extravagance of Romantic grand opera. From the Alhambra gardens to the battlefield, the action skillfully intertwines political conspiracies with a love story. Underpinned by the energy and timbres of period instruments, this recording demonstrates the work's modernity and it's musical qualities.Anaïs Constans valiantly tackles the demanding role of Noraïme, while Edgaras Montvidas displays his lyric tenor voice in a series of sublime airs whose beauty was already hinted at by none other than Roberto Alagna in a recital disc released in 2003. Around this couple, a plethoric cast of soloists (Dolié, Sargsyan, Williams, Martin, Lavoie, etc.) achieves the same high standards of French diction and style. The Hungarian conductor György Vashegyi, flanked by the Purcell Choir and Orfeo Orchestra, reveals here another key milestone of French Romantic opera.

François Couperin, whose 350th birthday we celebrate this year, defined himself as a creator of musical portraits. The eloquent and sometimes exotic titles of many of these pieces bear witness to this. From the Nations to the Collected Tastes, as well as the Royal Concerts and the harpsichord repertoire, Les Folies françoises have painted throughout this album a portrait that pays homage to one of the greatest composers of the Sun King's court.

Cherubini’s Les Abencérages, premiered in 1813, heralds the spectacle and extravagance of Romantic grand opera. From the Alhambra gardens to the battlefield, the action skilfully intertwines political conspiracies with a love story. Underpinned by the energy and timbres of period instruments, this recording demonstrates the work’s modernity and its musical qualities.