Les Hurlements D’leo Pour Les Jours

Who today has heard of Max d'Ollone? He studied with Massenet, was a contemporary of Richard Strauss, composed operas and cultivated a sensuous and deeply Romantic approach to vocal music. The Prix de Rome competition gave him the opportunity to compose several impressive cantatas and pieces for chorus and orchestra, characterised by a combination of grandeur and refinement.

Chanson D'Amour is a French-language compilation album by Canadian singer Celine Dion. Also known as Gold, Vol. 1, originally released in France by Versailles on 2 October 1995. It features fourteen rare songs recorded between 1982 and 1988, including the Eurovision-winning "Ne partez pas sans moi". Later, the album was also released in other countries around the world. It was issued under many different titles, with many different covers, and by various music labels. Gold Vol. 1 was certified 2× Gold in France, where it peaked at number thirty on the chart. It also charted in Belgium Wallonia, Japan and the United Kingdom.

French musician Bruno Duplant is one of the most talked-about artists on the experimental music scene today. In recent years he's presented many outstanding composed pieces and released a succession of excellent recordings on labels around the world. The abundance and vitality of his work are remarkable.

French composer Yann Tiersen (born 1970) is one of the most popular and successful film music writers of today. His soulful and melancholic music finds its traces in folk music, French chansons, musette waltzes, street music, but also in the minimalism of Satie, Glass and Nyman. His international breakthrough came with the music for the French blockbuster 'Amélie', later followed 'Goodbye Lenin' and others. Dutch pianist, pioneer and champion of Minimalism Jeroen van Veen has recorded Tiersen’s most popular melodies, playing the piano in his inimitable way: focussed, serene and hypnotising.

Glossa continues its major contribution to the recording of the music of Jean-Philippe Rameau with a further ballet héroïque, Les Fêtes de Polymnie, directed by György Vashegyi and featuring accomplished ramistes such as Aurélia Legay, Emöke Barath or Mathias Vidal, and led by the incomparable Véronique Gens in the various vocal roles that appear in the Prologue and the three Entrées of this work.