Christophe Rousset and Les Talens Lyriques make a foray into the Romantic repertoire with this tribute to Pauline Viardot, who was not only the most influential singer of the nineteenth century, but also a pedagogue and composer, whose gifts, personality and incomparable aura made her one of the leading figures of French Romanticism. Together the mezzo-soprano Marina Viotti and Christophe Rousset retrace Pauline Viardot’s versatile career and, taking up her great roles, present a musical portrait of a unique performer, who was unanimously acclaimed by the audiences of her time.
Jerome Correas and Les Paladins invite you to listen to this new disc on b.records where you travel to the court of Mantua when Vivaldi was composing the Concerto da Camera. The works that make up the Tempesta di Mare are extremely virtuoso and expressive and were written at the time in the composers career when he explored timbres and rhythms resulting in an explosion of colour. To consumer without moderation!
The 10th recording of renowned drummer Les DeMerle for Origin Records, "Hot Night In Venice" captures the fire, excitement and bristling energy Les has been bringing to world stages for over 50 years. And a show it is, as his longtime quartet offers up tight arrangements of jazz classics and serious in-the-pocket blues, but most of all, the band is groovin' hard, havin' fun and swingin' big time. Bonnie Eisele's sensitive, sassy vocals highlight the set, creating an ambiance that adds to the feeling of being at the club enjoying the set. From his ground-breaking Transfusion band of the late '60s, taking over Buddy Rich's seat with the Harry James Orchestra for 12 years, or his tours with the Manhattan Transfer and Wayne Newton, Les DeMerle has always been about elevating the band, bringing a visceral, unbridled dynamism to the stage. "Eisele and DeMerle are a hot combination. Her powerful voice and natural feel for rhythm come across in an explosive stage performance. His energy is absolutely contagious."
Les trois oeuvres enregistrées ici sont "Tombeau de M. de Lulli" (1695), "Les Caractères de la Danse" (1715) & "Les Elémens" (1737). La première est un vibrant hommage à celui qui fut le "mentor" de Rebel. Ecrite pour ensemble instrumental, cette pièce aux caractères changeants adopte une ritournelle déchirante qui réapparait entre chaque mouvements rapides. Les deux dernières sont des "symphonies chorégraphiques" où les mouvements de danses ont une place de choix (notamment dans les "Caractères de la Danse" ; le public de l'époque était friand de ces pièces ("Courante", "Chaconne", "Rigaudon", "Passepied"…)). Le "Prélude" des "Elémens" est une représentation du "Chaos", dont le tout premier accord est une des pages les plus célèbres de son auteur.