Let it be

The album is presented in a form which Paul McCartney considered closer to what he considered was its original artistic vision: to "get back" to the rock 'n' roll sound of their early years rather than the orchestral overdubs and embellishments which were added by Phil Spector in the production of the final Let It Be album. Paul McCartney in particular was always dissatisfied with the "Wall of Sound" production techniques that had been employed on the Phil Spector remixes, especially for his song "The Long and Winding Road," which he believed was ruined by the process.[1] George Harrison gave his approval for the …Naked project before he died. McCartney's attitude contrasted with Lennon's from over two decades earlier. In his September 1980 Playboy interview, Lennon had defended Spector's work, saying "He was given the shittiest load of badly-recorded shit with a lousy feeling to it ever, and he made something of it."–Wikipedia

Essential: a masterpiece of Rock music
The turn is for Let It Be… to fatten The Beatles collection.
This is another early Capitol reissue (Purple label, 1979), mastered nothing less by master sound engineer Wally Traugott (Wally) and pressed by Capitol Records Pressing Plant, Los Angeles.