A characteristically humongous (8-CD) box set from the wonderful obsessive-compulsives at Bear Family, documenting the Killer's '60s tenure at Smash Records. Lewis made consistently good music during this period, but the combination of his personal scandals and the British Invasion made him a pariah to radio programmers until mid-decade, when he returned to his country roots. Highlights of the set include the entirety of a Texas live show, with Lewis and his crack band rendering various early rock standards at dangerously high (i.e., proto punk) speed, some excellent duets with his (then) wife Linda Gail, and gorgeous renditions of standards like Willie Nelson's "Funny How Time Slips Away" and Merle Haggard's "Lonesome Fugitive." Lewis fans with deep pockets should grab this one immediately…
SoulMusic Records is proud to present a first-of-its-kind compilation of recordings by renowned singer/songwriter Barbara Lewis spanning her six years with Atlantic Records (1962-1968) and her brief one-year tenure with Reprise Records (1972). Known the world over in particular for her timeless classics, "Hello Stranger" and "Baby, I'm Yours", the Michigan-born chanteuse's distinctive brand of sweet soul brought her much acclaim in the mid-60s, resulting in a total of five Atlantic albums. This beautifully-packaged collection, sequenced in chronological order of recording session, includes the first CD release of a number of tracks from both the 1964 LP "Snap Your Fingers (Barbara Lewis Sings The Great Soul Tunes)" and the 1966 album, "It’s Magic"…
Have you heard The News? The sweet pop/rock/soul sound of San Francisco's Huey Lewis & The News has sadly gone silent in recent years, thanks to its one-of-a-kind frontman's battle with Ménière's disease, which causes intermittent hearing loss. But a surprise new reissue campaign courtesy of Universal Music Group's Japanese division promises the most comprehensive look at the band's blockbuster catalogue of the '80s and early '90s.
Saxophonist and composer James Brandon Lewis possesses an inspiring energy. His deep curiosity and the thrill he gets from discovery are crucial facets of his personality, and qualities that guide his art. Over the last half-decade he’s emerged as one of the most exciting figures in jazz and improvised music, a voracious listener who rejects stylistic hierarchies and one that has feverishly explored new ideas and embraced fresh motivations with every new project. Inspired by molecular biology James Brandon develops a special system for a surprising and beautiful music with his Quartet with drummer Chad Taylor, pianist Aruán Ortiz, and bassist Brad Jones. He has taken the idea of a “Molecular Systematic Music” to heart in the formulation of the compositions featured on the stunning debut album by this quartet.