Lil ed The Blues Imperiales

Sometimes the bloodlines show up and at other times they explode with a fanfare that shows itself to the world. Lil' Ed Williams traces his heritage back to his uncle, one of the Chicago blues legends, slide guitar master J.B. Hutto. He was tutored by his uncle, and the West Side Chicago blues scene that nurtured him, and readily gives J.B. much of the credit for his prowess. He captures some of that same raw street energy that was his uncle's trademark on many of the tracks on this, his fifth Alligator release. Listen to "The Creeper" to get an idea of the savage fury that he can channel through his slide guitar work. This disc manifests that feel for the blues that can't be taught, but must be both lived and seen from the inside…

The sixth release from the veteran foursome is another rollicking, electrified romp through old-school Chicago boogie blues. Lil' Ed Williams is the nephew of, and was schooled by, slide guitar legend J.B. Hutto, so it's no surprise that the Blues Imperials' sound is driven by the high-octane, raw, bottleneck attack popularized by Hutto and the great Elmore James. Both are covered here, and even though Williams's originals adhere to the standard blues format, the energy generated by this live-in-the-studio recording could power a small city. You can practically see the sweat dripping down Ed's fez-covered head as he charges through the humorous yet driving "Icicles in My Meatloaf" and the fast shuffle of "Broken Promises"…

After disbanding his group to take time off to clean up his life, Lil' Ed re-formed the Blues Imperials for this 1999 entry, his first for Alligator since What You See Is What You Get. The good news is that the time off had totally reinvigorated Ed's playing, singing, and songwriting, as he ultimately turned in a great batch of originals infused with blistering raw energy. The only non-originals out of the 14 tracks assembled here are nice takes on "Too Late" and "Pet Cream Man," both tunes written by Ed's uncle and principal inspiration, the late J.B. Hutto. Call this a comeback album if you must, but if great, raw Chicago blues is your thing, consider this one great album, period.

Slide guitarist Lil' Ed Williams & the Blues Imperials bring the energy of live performance to their seventh Alligator release, Full Tilt. The highlights on this disc tend to reflect that of the album's title, especially the spirited cover versions of the Contours' "First I Look at the Purse" and Hound Dog Taylor's "Take Five," along with the originals "Hold That Train," "Candy Sweet," and "My Baby Moves Me." Lil' Ed's raucous guitar chops are at center stage on those tracks and the additional backing from horn players Eddie McKinley and David Basinger and pianist/organist Johnny Iguana add some extra kick. There are a few lukewarm tracks that are a bit too rote and, unfortunately, bring down the overall good-time party appeal of this disc. Still, fans of Lil' Ed & the Blues Imperials, or electric modern blues in general, will want to add this to their collections.

The band's wildly energetic and seriously soulful CD Jump Start is jam-packed with Lil' Ed's incendiary slide playing and rough, passionate singing, as the ragged-but-right Blues Imperials cook like mad alongside him. It is a tour-de-force of untamed slide guitar, rock solid rhythms, heartrending ballads and authentic deep blues vocals. Williams wrote or co-wrote 13 of the album's 14 songs, ranging from the non-stop boogie blast of "If You Were Mine" to the heart-on-his-sleeve honesty of "Life Is A Journey" to the bouncing and jazzy "Jump Right In" to the swaggering, autobiographical "Musical Mechanical Electrical Man." The album overflows with the band s full throttle drive and is fueled by Lil' Ed's love of both serious blues and good time fun.

Wild, raw, rough-edged Chicago slide guitar blues, this is jumpin', partyin' music in the tradition of Hound Dog Taylor and J.B. Hutto (Lil' Ed's uncle). Recorded live in the studio with no overdubs, it includes nine original compositions plus covers of Hutto and Albert Collins tunes.

Wild & greasy blues at its best, a two-song session for an anthology turned into an all-night, live-in-the-studio jam. Sounds like it was great fun.
Signing to Alligator in the mid-'80s, they released their debut album, Roughhousin', in 1986 and found themselves receiving national attention. They began playing urban clubs and festivals all over the country and eventually toured Canada, Europe, and Japan.

This compilation provides an interesting survey of 9 blues slide guitar players. Collected from various independent record labels and recorded over the period 1960 through 1993, all of these tracks have been previously released albeit on hard to find albums and CDs. It is great to have these tracks collected in one place.