Lil ed The Blues Imperiales

Alligator has a justifiable reputation as one of the premier blues labels, and it draws on its recorded resources for this compilation. There's certainly no doubting the quality of the players and the music here, from Johnny Winter to the late Hound Dog Taylor, whose raw style sears the ears on Elmore James' "The Sun Is Shining." An older Corey Harris track reminds people that he's a remarkable acoustic slide player, and Sonny Landreth's "Taylor's Rock," from a Hound Dog Taylor tribute, features him playing no less than four parts, and still injecting …

Alligator has a justifiable reputation as one of the premier blues labels, and it draws on its recorded resources for this compilation. There's certainly no doubting the quality of the players and the music here, from Johnny Winter to the late Hound Dog Taylor, whose raw style sears the ears on Elmore James' "The Sun Is Shining." An older Corey Harris track reminds people that he's a remarkable acoustic slide player, and Sonny Landreth's "Taylor's Rock," from a Hound Dog Taylor tribute, features him playing no less than four parts, and still injecting plenty of grease. Australian Dave Hole remains a bit of a secret, but on the basis of this, deserves wider exposure. And if there's an odd man out here, it's A.C. Reed, who doesn't even play guitar. But he's joined by someone who does, Bonnie Raitt, and she lays down some wonderful work on "She's Fine." Elsewhere, there's Elvin Bishop, Luther Allison, and Lil' Ed…

Sessions is Union Square Music’s 2CD urban and dance music range. Aimed at both the hardened dance music fan and the impulse purchaser, each Sessions title is packed full of hit singles, big club tracks and a choice selection of forgotten gems and underground classics picked out by our expert crate-digging compilers. Strong generic packaging including an outer slipcase, informative sleeve notes and a low price in the shops have made Sessions one of our most popular labels.

Magic Slim turned 75 in 2012, but his growling vocals have the fire and brimstone of a Young Lion and his guitar playing is still as razor-sharp as it was when he turned pro in the '50s. Slim doesn't bring many modern touches to his music; he plays in the classic Chicago style that laid the foundation for today's rock and blues and that's just fine. With his backing Teardrops – Jon McDonald on guitar, Andre Howard on bass, and B.J. Jones on drums – he continues making first-class albums that sound like they were cut in 1955 and that's a good thing. Denise LaSalle's "Someone Else Is Steppin' In" gets a humorous reading with Howard singing a high lead vocal to complement Slim's growl, which often slips into a Howlin' Wolf-like growl.

Various Artists - The Alligator Records 25th Anniversary Collection (1996) {2CD Alligator Records ALCD 110-111}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 979 Mb | MP3 @320 -> 348 Mb
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© 1996 Alligator Records | ALCD 110-111
Blues

This is a specially priced, two-CDs-for-the-price-of-one photo-cube set, loaded with great stuff from Charlie Musselwhite, Koko Taylor, Lonnie Brooks, Johnny Winter, Billy Boy Arnold, Lonnie Mack, and a host of others who have trotted their wares on the label over the years. Besides giving the novice one great introduction to the label (as the music runs from traditional to modern), the big bonus here is a treasure trove of previously unissued tracks from Roy Buchanan (a chaotic version of Link Wray's "Jack the Ripper"); Floyd Dixon (a recut of his Blues Brothers-approved hit "Hey Bartender"); Albert Collins and Johnny Copeland in a marvelous outtake from the Showdown! album ("Something to Remember You By"); and the band that started it all, Hound Dog Taylor & the Houserockers, with a crazed version of Elmore James' "Look on Yonder's Wall," as sloppy as it is cool. Very good stuff.

Two Sides of the Blues improves on Craig Erickson's Retro Blues Express by adding better songwriting. Meanwhile, his guitar playing positively smokes. Blues/funk guitarist Craig Erickson learned to play while working in his father's record store in Cedar Rapids, Iowa. He formed his first band at 13, and began playing around the area. Erickson signed a contract with Blues Bureau Intl. in the early '90s, releasing Roadhouse Stomp! in 1992 and Retro Blues Express the following year. Though the albums featured John Onder on bass and Atma Anur on drums, Erickson's regular band – with which he has supported blues legends such as Koko Taylor, Little Ed & the Blues Imperials, Elvin Bishop and Lonnie Brooks – includes bassist Al Robinson and drummer Kerri Collings. Erickson recorded Two Sides of the Blues for a 1995 release.

Lil Ed Williams and Dave Weld have complementary styles. The pair of blues singer-guitarists learned slide guitar from J.B. Hutto (Williams' uncle) and they are equally skilled playing acoustic and electric blues. In fact, with the exception of the pop ballad "Too Late Baby" which is from 1944 and utilizes different personnel than the rest of the CD, this set mostly alternates acoustic and electric numbers by the Imperial Flames, a quintet. The co-leaders split the vocals and the guitar solos equally and are not only strong soloists but adept at backing each other. Due to impressive variety and high musicianship, the often-exuberant set is highly recommended to blues fans.

This blues-oriented set has the feel of a jam session. Bassist Willie Kent and Lil Ed Williams split the vocals on a date that features contrasting guitar voices in the relatively clean Eddie C. Campbell and the more distorted playing of Williams; both have plenty of solo space. Pianist Allen Batts and drummer Baldhead Pete Williams are quite solid behind the lead voices who get to stretch out on the basic but highly appealing material. Who's Been Talking, which includes songs by Howlin' Wolf, Elmore James and J.B. Hutto in addition to the newer songs, is easily recommended to modern blues collectors.

Various Artists - Let Me Tell You About The Blues - Atlanta: The Evolution Of Atlanta Blues (2010) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 562 Mb | MP3 @320 -> 453 Mb
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© 2010 Fantastic Voyage / Future Noise Music Ltd. | FVTD055
Blues / Regional Blues

Like Memphis, Tennessee, Atlanta was a staging post for itinerant musicians and like Memphis, it was home to an impressive number of guitarists who established a very distinctive style of playing that became synonymous with the city. It was also the location for the first country blues artist, Ed Andrews, to be recorded. Three years later, Julius Daniels was the first Carolina bluesman to record. Atlanta was also a recording centre for out-of-state artists such as Blind Lemon Jefferson, Bo Carter, the Memphis Jug Band, Blind Willie Johnson and Hambone Willie Newbern. A further school of blues gathered around Peg Leg Howell and Eddie Anthony.