Lil Skies Shelby

Grammy-winning Alabama singer-songwriter Shelby Lynne has given fans a taste of her “most revealing album to date,” due out in April. The self-titled project, her first solo album since 2015, will be released April 17, according to an announcement made Tuesday morning. Many of the songs on it come from an unreleased independent film by lyricist/director/screenwriter Cynthia Mort titled “When We Kill the Creators,” in which Lynne stars as “a deeply conflicted artist struggling at the intersection of art and commerce.”

Shelby Lynne has been seeking the place inside her music where everything cracks and opens for over a decade. From her Columbia Records debut, she has been writing and singing songs that seek to get underneath themselves and communicate something of the wildness, ambiguity, and emotional depth that is in the grain of her voice. Suit Yourself is a self-produced, loose, organic set of 12 new songs, ten of them originals.

Shelby Lynne has followed her own sometimes reckless, always adventuresome muse throughout her career. Just a Little Lovin' is her personal homage to the late, legendary Dusty Springfield. Nine of its ten cuts are inextricably linked to the late British vocalist whose sway Lynne came under years ago, but a chance conversation with Barry Manilow – of all people – led to the making of this record. Lynne doesn't attempt to sound like Springfield.

Shelby Lynne has been seeking the place inside her music where everything cracks and opens for over a decade. From her Columbia Records debut, she has been writing and singing songs that seek to get underneath themselves and communicate something of the wildness, ambiguity, and emotional depth that is in the grain of her voice. Suit Yourself is a self-produced, loose, organic set of 12 new songs, ten of them originals.

Shelby Lynne has followed her own sometimes reckless, always adventuresome muse throughout her career. Just a Little Lovin' is her personal homage to the late, legendary Dusty Springfield. Nine of its ten cuts are inextricably linked to the late British vocalist whose sway Lynne came under years ago, but a chance conversation with Barry Manilow – of all people – led to the making of this record. Lynne doesn't attempt to sound like Springfield.