Lindsey Buchleitner

Filmed in high definition at an exclusive show at the Saban Theatre in Beverly Hills in April this year, Songs From The Small Machine captures Lindsey Buckingham showcasing tracks from his new studio album Seeds We Sow , songs from across his solo career and Fleetwood Mac classics…

Wielding her violin like a huntress' bow, Lindsey Stirling focuses her classical crossover vision with a deeply imaginative concept for her fifth album, Artemis. Named after the Greek goddess of the hunt and the moon, the effort finds Stirling hitting her artistic stride with a grand soundtrack to a movie that doesn't yet exist, like a neon cyberpunk take on Howard Shore's Lord of the Rings score. Making her early work feel small-scale by comparison – early-2010s tracks like "Song of the Caged Bird," "Beyond the Veil," and "Heist" come closest to what she's offering here – Artemis also benefits from fewer special guests, which was a distraction on her previous full-length, Brave Enough.

Lindsey Webster is the undisputed queen of Smooth/Contemporary Jazz vocalists. She is the first vocalist to score 4 #1 smooth jazz radio hits in a row. The debut single from Reasons, "I Didn't Mean It," has already reached top 10 on the Billboard Contemporary Jazz Radio Chart!!! Reasons, featuring a star-studded Grammy winning cast, elevates Lindsey Webster's sensuous artistry to a new level. Highlights such as the sensuous "Just The Night," the soulful "Stay With Me" and the spirited "You Take Me" make Reasons a must have album!

Lindsey Buckingham has released only four albums as a solo artist in 25 years. While he remains active as a producer and session musician, this is his first offering in 14 years. Those who saw Cameron Crowe's film Elisabethtown got a sneak peak: Buckingham's "Shut Us Down" was featured in the film. Under the Skin is perhaps the most nakedly visible and tender recording he's ever dropped. He wrote much of the set while on tour with Fleetwood Mac in 2003…

Lindsey Stirling's third album, Brave Enough, is where her crossover sound falls nicely into place. Her first two efforts – thrilling collisions of violin acrobatics and electronic embellishment – were novel, but there was something missing to that new age dubstep. On Brave Enough, Stirling taps into a deep well of pain – inspired by her own emotional maturity and the death of her best friend and keyboardist, Jason Gaviati, in November 2015 – and the result is an organic interplay between her instrument and digital beats that focuses more on pleasant rhythms than dubstep muscle.

It is positively spooky how consistently interesting Lindsey Buckingham's 30-year solo career has been. For a musician whose core creative philosophy seems rooted in the way art emerges from dramatic chaos, his own output—both within and without Fleetwood Mac—always manages to be immediately familiar and completely surprising. And although it's been ten years since his last proper solo album, his 2017 collaboration with Christine McVie (featuring Mick Fleetwood and John McVie) felt more like "Buckingham with guests" than the "Fleetwood Mac without Stevie Nicks" album the lineup suggested, as it leaned heavily on Buckingham's unique vocal and guitar phrasings.