Mars : Nos lendemains. Une réalisation de Dominique Blanc-Francard (complice de Camille, Raphaël, Françoise Hardy, Eicher…). Des chansons composées par Julien Clerc, Maxime Le Forestier, Jean-Louis Murat, Benjamin Biolay, Jacques Veneruso. Une chanson country de Ron Sexsmith, adaptée en français, donne le titre à l'album. Une reprise d'un grand classique, Coucouroucoucou Paloma… Pour Isabelle Boulay, rien de moins que des lendemains qui chantent.
If you don't understand French but you like Patricia Kaas or Mylene Farmer, you will probably enjoy Isabelle Boulay too ;-)
Richard Galliano, one of the greatest accordionists of the modern era, and unimpeachable jazz guitarist Sylvain Luc collaborated in the ’90s before going their separate musical ways. The two musicians now reunite their talents for this duo project dedicated to the grande dame of French chanson. The result is a virtuoso jewel, showcasing and reawakening the freshness of the Piaf repertoire in this, the 100th anniversary of her birth.
Two classic easy-listening albums by Paul Mauriat and His Orchestra, originally released in 1969 on the Philips label, together on one CD and remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound. French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."
This collection of vintage 1960s orchestral pop from the master of surreal Gallic eroticism includes kitsch masterpieces like "69 Annee Erotique" and Jane Birkin and Serge Gainsbourg's chart-topping "Je T'Aime (Moi Non Plus)," in a procession of jazzy instrumentals accompanied by Gainsbourg's throaty, Gitanes-coated vocals and the pertly sexy interpolations of his stunning wife.