Between Us is the first greatest hits album by British girl group Little Mix, released on 12 November 2021 through RCA. The announcement of the album was made on the ten-year anniversary of the group's formation on the eighth series of the British version of The X Factor. The album features five new tracks alongside all the group's previous singles.
Perhaps realizing that Down on the Farm wasn't the proper swan song for Little Feat, the group persuaded Warner Brothers to release a compilation of rarities and overlooked tracks as a swan song and farewell to fans. Filled with live performances, obscurities, album tracks, and a new song apiece from Bill Payne and Paul Barrere, Hoy Hoy is a bit scattered, a bit incoherent, a little bewildering, and wholly delightful – a perfect summation of a group filled with quirks, character, and funk, traits which were as much a blessing as they were a curse. Hoy Hoy is one of those rare albums that may be designed for diehards – who else really needs radio performances, early recordings from before the band was signed, and outtakes, especially if they're surrounded by early album tracks? – but still is a great introduction for novices. That doesn't mean it's as good as such masterpieces as Sailin' Shoes, Dixie Chicken, or Waiting for Columbus, but it does capture the group's careening, freewheeling spirit, humor, and musical versatility, arguably better than any single album.
Little Richard was not the only original rock & roller to attempt a comeback in the late '60s and early '70s, but he may have been the one to take the greatest musical risks. Fats Domino merely updated his sound (albeit in a charming fashion), Jerry Lee Lewis refashioned himself as a hardcore country singer, and Chuck Berry pandered with "My Ding-A-Ling," but Little Richard pushed himself on his three albums for Reprise, all of which were collected – along with his contributions to Quincy Jones' 1972 Dollar$ soundtrack album, non-LP singles, session outtakes, and a complete unreleased album from 1972 called Southern Child – in 2005 by Rhino Handmade for the triple-disc set The King of Rock and Roll.
Although the material leaves a little to be desired, Little John Chrisley's self-titled debut album is filled with his burning blues-rock harmonica, which is occasionally truly inspired.
Little Milton may not have been the greatest R&B artist or the greatest blues artist or the greatest soul artist of all time, but he and Bobby Bland were easily the two best ever at incorporating all three genres into all their work for many decades. "Grits Ain't Groceries" is sheer late-'60s R&B greatness - an exciting, rollicking remake of the Titus Turner tune that turned out to be Little Willie John's début hit [#5 R&B] in 1955 (then titled "All Around the World"). Little Milton scored a #13 soul / # 73 pop hit with it. I thought its passionately powerful and smoldering Chicago blues B-side "I Can't Quit You Baby" (co-written by Milton, and with that dazzling guitar I mentioned) made it an unbeatable combination, worthy of of #1 - at least on the soul charts…