Although not a blues band in the truest sense of the word, consider this their 'roots music' album. Frontman Little Mike Markowitz turns in a batch of original tunes that more than tip their collective and stylistic hat to Willie Dixon, Muddy Waters, Louis Prima and James Cotton. The band goes through its workmanlike paces and that same blue-collar approach applies to the lyrical themes on these songs, full of tried and true formulaic stories about sex, the road and bad whiskey and women. It's a shame that the blues can sometimes be reduced down to a pile of cliches but at least the musical side of the equation works.
As Time Goes By: The Very Best of Little Feat is an extraordinary collection that contains almost every essential Little Feat song from their '70s heyday with Lowell George, plus the two hits ("Let It Roll," "Hate to Lose Your Lovin'") from their late-'80s comeback. Most of the band's albums are worth hearing, but this is a great introduction for the curious and – since it features "Dixie Chicken," "Willin'," "Two Trains," "Fat Man in the Bathtub," "Sailin' Shoes," "Oh Atlanta" and "All That You Dream" in one place – it's a great summation of the group's achievements, and George's songwriting talent in particular. Unfortunately, As Time Goes By has only been released by the British division of Warner Bros, but it's worth tracking down.
Friend Of Mine (1976). Recorded in the wake of the collapse of Stax Records in 1976, Friend of Mine brushed up against a long fallow period in Little Milton's recorded output, and was also unavailable for many years, thus making it one of his least-known albums. Produced by Milton for Henry Stone's TK Records and issued on the Glades Records imprint, this is a soulful blues workout drenched in sweaty vocals and long, sustained performances, of which perhaps the best is the five-and-a-half-minute "You're Gonna Make Me Cry," which also includes some impressive guitar. The record's strongest body of songs are the smooth soul ballads such as "Baby It Ain't No Way," the rousing "Don't Turn Away" (a song that one wishes Elvis Presley could have discovered and considered covering)…
Richard Wayne Penniman (December 5, 1932 – May 9, 2020), known professionally as Little Richard, was an American musician, singer, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the "Architect of Rock and Roll", Richard's most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding back beat and raspy shouted vocals, laid the foundation for rock and roll. Richard's innovative emotive vocalizations and uptempo rhythmic music also played a key role in the formation of other popular music genres, including soul and funk. He influenced numerous singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations.