Previously unreleased recording from the legendary multi-instrumentalist Kirk. Kirk’s influence and following reaches far beyond Jazz. Hendrix idolised him and it’s easy to see why. His appetite for ripping up the rulebook has brought kudos and admirers from all sides, giving him a status and respect that ensures an unearthed, never before released recording such as this added importance.
Multiple Grammy Award winner, Norah Jones, plays an exclusive sold-out show at the world-famous Ronnie Scott’s Jazz Club in London. This wonderfully intimate live performance film sees Jones return to the piano, accompanied on stage by drummer Brian Blade and bassist Chris Thomas to form a classic jazz trio…
Recorded during pianist Bill Evans' last visit to England (less than two months before his death), Evans is heard with one of his finest trios on Letter to Evan, the unit with bassist Marc Johnson and drummer Joe La Barbera. The recording quality of the live set (recorded at Ronnie Scott's) is excellent, and Evans is in surprisingly enthusiastic and creative form; there is no hint that the end is near. Highlights of the very worthwhile release include "Days of Wine and Roses" (which alternates back and forth between two keys), "Knit for Mary F.," and "Stella by Starlight." Easily recommended for true Bill Evans fans.
Over the last few years, just as jazz fans had thought that CD collections of their favorite iconic jazz musicians were “complete” (since the legendary artists had been deceased for decades), we have been treated to welcome releases from European sources of previously unreleased material. The latest bonanza comes from CAP (Consolidated Artists Productions), of never before heard recordings of Dizzy Gillespie’s Quintet from a two week engagement in August, 1973, at Ronnie Scott’s club in London. (CAP is owned by the quintet’s pianist, Mike Longo.)
Over the last few years, just as jazz fans had thought that CD collections of their favorite iconic jazz musicians were “complete” (since the legendary artists had been deceased for decades), we have been treated to welcome releases from European sources of previously unreleased material. The latest bonanza comes from CAP (Consolidated Artists Productions), of never before heard recordings of Dizzy Gillespie’s Quintet from a two week engagement in August, 1973, at Ronnie Scott’s club in London. (CAP is owned by the quintet’s pianist, Mike Longo.)
Over the last few years, just as jazz fans had thought that CD collections of their favorite iconic jazz musicians were “complete” (since the legendary artists had been deceased for decades), we have been treated to welcome releases from European sources of previously unreleased material. The latest bonanza comes from CAP (Consolidated Artists Productions), of never before heard recordings of Dizzy Gillespie’s Quintet from a two week engagement in August, 1973, at Ronnie Scott’s club in London. (CAP is owned by the quintet’s pianist, Mike Longo.)
Over the last few years, just as jazz fans had thought that CD collections of their favorite iconic jazz musicians were “complete” (since the legendary artists had been deceased for decades), we have been treated to welcome releases from European sources of previously unreleased material. The latest bonanza comes from CAP (Consolidated Artists Productions), of never before heard recordings of Dizzy Gillespie’s Quintet from a two week engagement in August, 1973, at Ronnie Scott’s club in London. (CAP is owned by the quintet’s pianist, Mike Longo.)
Live at Ronnie Scott's is the third official Resonance release of previously-unissued recordings of the Bill Evans trio with Eddie Gomez and Jack DeJohnette. The nearly 2 hours of music has been remastered from the original tape reels. Live at Ronnie Scott's was captured in July of 1968. On the cover of this deluxe 2CD set is a never-before-published drawing by artist and illustrator David Stone Martin. Package includes an extensive booklet with rare photos, essays and interviews.
I love the idea of Gearbox records, especially the Tubby Hayes & Don Rendell items, but have been put off in the past by the high vinyl retail price for what is often cassette sourced material (but do ensure you check out the Binker and Moses issue, they are sublime). This one, Lateef with Stan Tracey, Laird & Eyden, effectively the house rhythm section for Ronnie's, is a reel to reel tape made by Les Tomkins with the nod from Ronnie, but not the band. We are still nowhere near audiophile territory, but it is good enough to enjoy. Generally a laid back affair, it is nevertheless musically satisfying, with Stan Tracey a little receded in the mix, if you can apply the term, as this is pretty much a raw transfer by the sound of it. Lateef being front and centre though, on a combination of Flute, Shehnai, Xun and Tenor Sax, definitely helps.