This superbly recorded double disc (the original engineer was Eddie Kramer, best-known for his work with Hendrix) captured over a weekend worth of dates in February 1970 at the venerable New York City venue catches the Brit boogie quartet at the peak of their powers. These shows were sandwiched between their triumphant Woodstock set and the release of Cricklewood Green, generally considered the band's best work. They find the group primed through years of roadwork, as well as obviously excited to be playing in front of an appreciative N.Y.C. crowd…
1970 serves as a tectonic shift within the crossroads of American popular music. With rock and roll on the cusp of dive bombing into its arena-era, the more adventurous and esoteric off-shoots tended to be whisked away from the spotlight while oppressive corporate behemoths drooled at the opportunity to rule labels, touring, publicity and all of their ancillary business interests with an iron fist.
On April 20 Universal Music are releasing a 3-LP / 2-CD set of The Who’s stunning 1968 live performance at Bill Graham’s Fillmore East theatre in New York.
Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. Finally, a non-bootleg issue of one of Miles Davis' greatest electric performances ever. In fact this is the very first of the Miles Davis Quintet's electric gigs – it was also one of the last four performances of this great band. Not just recorded, but performed. The band, consisting of Davis, Wayne Shorter on soprano and tenor, Chick Corea on Fender Rhodes, Dave Holland on both acoustic and electric bass, and Jack DeJohnette on drums. With percussionist Airto Moreira providing color and texture, the band became a sextet.
Ever since he started rumbling about releasing his archives some 20, 30 years ago – it's been so long, it's hard to keep track of the specifics – Neil Young talked about it as a mammoth box set, or perhaps a series of box sets each chronicling a different era in his career, comprised entirely of unreleased recordings, some live, some studio. It was an eagerly anticipated set, since everybody knew that he had scores of unreleased recordings in his vaults. Not just songs, but full albums that were scrapped at the last minute.
Heavily bootlegged, the tapes featured on Universal's 2018 release Live at the Fillmore East 1968 were originally recorded by the Who's manager Kit Lambert with the intention of releasing a live album between The Who Sell Out and Tommy. Both nights of the band's tour-closing stint at the Fillmore on April 5 and 6, 1968 were recorded but the equipment malfunctioned on the first night, so Lambert abandoned the plan, leaving the tapes to bootleggers to mine over the years.