Véronique Sanson (full name, Veronique Marie Line Sanson, according to the ASCAP Songwriter's Database, born April 24, 1949, in Boulogne, near Paris, France) is a two-time Victoires de la Musique Award-winning French singer-songwriter, musician, and producer with an avid following in her native country. She brings a very personal vocal style to the singing of French pop songs: Her voice has a very strong vibrato. Today, Véronique Sanson is still considered to be one of the most talented French songwriters, and each of her appearance in the media is a popular event. Unlike most previous French artists of the Sixties and early Seventies, who mostly released EPs usually consisting of a collection of singles, B-sides and covers.
Rachmaninov's Third and Second Symphonies are distanced from each other not only by thirty years but also by the turning point in history that bisected the destiny of the Russian intelligentsia. Rachmaninov was full of creative energy and aspirations while writing the Second Symphony, in 1906-1907, even though he sought solitude in Dresden to feel the breath of his Motherland from a distance and to relate his own destiny to it. He was already a different person by the mid-1930s, struggling with the aftermath of his fate as an exile and summing up his life.
Rachmaninov's Third and Second Symphonies are distanced from each other not only by thirty years but also by the turning point in history that bisected the destiny of the Russian intelligentsia. Rachmaninov was full of creative energy and aspirations while writing the Second Symphony, in 1906-1907, even though he sought solitude in Dresden to feel the breath of his Motherland from a distance and to relate his own destiny to it. He was already a different person by the mid-1930s, struggling with the aftermath of his fate as an exile and summing up his life.
"Most operaphiles would not consider the hyper-dynamic Sir Georg Solti to be a likely candidate to conduct La bohème, but they also probably did not expect him to do an excellent La traviata prior to the sensational Angela Gheorghiu debut performance at Covent Garden. Herbert von Karajan’s Decca-London recording with Pavarotti and Freni has traditionally and deservedly set the standard for La bohème recordings, but this one holds up surprisingly well to direct comparison…" ~Fanfare
The show begins with an abbreviated version of "Long Distance Runaround," with just Anderson and his acoustic guitar. "Yours is No Disgrace" is unrecognizable, as Anderson turns it into an alternative acoustic rock song, which has its own sense of urgency and takes a classic Yes song that he's done who knows how many times, and turns it on its head- a very interesting cover of his own work…