Lofofora la Distance

Germany’s most successful instrumental rock act Long Distance Calling explore the next step in their multi-faceted career with their 7th studio album ‘How Do We Want To Live?’. The band have returned with a sharply defined, artistically deep exploration of the relationship between humans and artificial intelligence. In late 2020, Long Distance Calling will continue their hugely successful ‘Seats & Sounds’ tour, and this year also saw them nominated for the German Musikautorenpreis 2020 for compositional & artistic achievement. ‘How Do We Want To Live?’ carries all the bands trademarked sounds whilst at the same time revealing new, surprising and unexpected elements of the Long Distance Calling sonic landscape.

Nothing can turn back the tides of time or stop their inexorable forward grind, but music can always be relied upon to make the journey more enjoyable. LONG DISTANCE CALLING have been expressing the inexpressible for the last 16 years, ploughing their primarily instrumental furrow with the skill and dexterity of true sonic artisans.

Issued in a 4-panel Digifile. Given away for free with German magazine "RockHard" issue 07/08/2020. Exclusive Rock Hard sampler.

Francesco Landini was the most famous Florentine Trecento composer, known for being a multi-instrumentalist, notably a virtuoso on the organ. As known, he lost his sight at the age of 7 but, despite his disability, he excelled in the study of music and all liberal arts. Might the condition of blindness have affected the poetic production of Landini? La Reverdie together with Christophe Deslignes, investigate this hypothesis, with a new project that presents both well-known masterpieces and pieces never recorded before, searching for signs that might be eventually impressed in the verses and the music of Magister Coecus by the loss of his sight.

Three Venetian contemporaries named Antonio - one, Vivaldi, achieved world fame with his concerti. But who has heard of Antonio Lotti and Caldara today? In their time, they were famous composers beyond the borders of Venice, and yet some of their music has lain dormant in archives for over three hundred years. Now selected alto cantatas by Lotti as well as oratorio introductions and an "Ave Regina" by Caldara may reawaken attention: paired with the "Nisi Dominus", RV 608, and two rousing concerti by Vivaldi, the baroque orchestra la festa musicale and the internationally acclaimed countertenor Alex Potter present an album full of virtuoso and touching musical treasures by the three Antonios from the Canal Grande.

Thanks to Julien Chauvin and his ensemble La Loge, the programs of the Concert Spirituel’s evenings in the late 18th century Paris come back to life. The so called Haydn’s “symphonies parisiennes” are the core of their musical project which also features contemporary composers, some of them are still unknown.

Four years after her boundary\-breaking album Bach Unlimited, pianist Lise de la Salle presents an extremely personal odyssey inspired by her love of the dance and her fascination with the period 1850 to 1950. More than just a question, Lise de la Salle’s ‘when do we dance?’ is an invitation to a voyage, ‘one that explores the different ways in which dance takes possession of the body’. A voyage in time, through a whole century (1850\-1950) with the accent on modernity; a voyage over the oceans, from North America to Eastern Europe, crisscrossing Argentina, Spain, France, Hungary and Russia; a voyage to the very core of rhythm, that essential anchor point for the dance as for music in general, that enlivens the ragtimes of Gershwin and Bolcom, Bartók’s folk dances, a waltz by Saint\-Saëns and a tango by Stravinsky.