Lofofora la Distance

Francesco Landini was the most famous Florentine Trecento composer, known for being a multi-instrumentalist, notably a virtuoso on the organ. As known, he lost his sight at the age of 7 but, despite his disability, he excelled in the study of music and all liberal arts. Might the condition of blindness have affected the poetic production of Landini? La Reverdie together with Christophe Deslignes, investigate this hypothesis, with a new project that presents both well-known masterpieces and pieces never recorded before, searching for signs that might be eventually impressed in the verses and the music of Magister Coecus by the loss of his sight.

Germany’s most successful instrumental rock act Long Distance Calling explore the next step in their multi-faceted career with their 7th studio album ‘How Do We Want To Live?’. The band have returned with a sharply defined, artistically deep exploration of the relationship between humans and artificial intelligence. In late 2020, Long Distance Calling will continue their hugely successful ‘Seats & Sounds’ tour, and this year also saw them nominated for the German Musikautorenpreis 2020 for compositional & artistic achievement. ‘How Do We Want To Live?’ carries all the bands trademarked sounds whilst at the same time revealing new, surprising and unexpected elements of the Long Distance Calling sonic landscape.

Nothing can turn back the tides of time or stop their inexorable forward grind, but music can always be relied upon to make the journey more enjoyable. LONG DISTANCE CALLING have been expressing the inexpressible for the last 16 years, ploughing their primarily instrumental furrow with the skill and dexterity of true sonic artisans.

Issued in a 4-panel Digifile. Given away for free with German magazine "RockHard" issue 07/08/2020. Exclusive Rock Hard sampler.

Thanks to Julien Chauvin and his ensemble La Loge, the programs of the Concert Spirituel’s evenings in the late 18th century Paris come back to life. The so called Haydn’s “symphonies parisiennes” are the core of their musical project which also features contemporary composers, some of them are still unknown.

The first ever album dedicated to the music of Ernest Shand, including several first recordings.

Eighteenth century Naples was not only a creative, cultural melting pot, but also one of the most important cities in Europe. Full of impressive contrasts between decay and splendour, and with an immense artistic output whose musical influences stretched across Europe, attracting many musicians and composers, Naples was a source of fascination and has retained its appeal to the current day.

TWhen the legendary Venetian Teatro La Fenice, which had been completely destroyed by fire in 1996, rose like a phoenix from the ashes again, its rebirth was celebrated with Verdi’s La Traviata, an opera that had seen its première more than 150 years earlier in the same theatre. Led by star conductor Lorin Maazel, a cast of brilliant singer-actors brought an exact replica of the March 1853 version to the stage, giving audiences the opportunity to experience the opera as the world first heard at its premiere in Venice. The original score had been found in the archives of La Fenice, so that La Traviata could relive its premiere without any revisions. The great Violetta-Germont duet, the second act finale and the opera’s last two numbers resounded through the theatre in just the way that Verdi initially intended.