Lofofora la Distance

The Distance was hailed as a return to form upon the time of its release and, in many ways, might be a little stronger, a little more consistent than its predecessor, Against the Wind. Still, this album has the slickest production Bob Seger had yet granted, and the biggest hit single on The Distance wasn't written by him, it was a cover of Rodney Crowell's "Shame on the Moon."…

The Distance was hailed as a return to form upon the time of its release and, in many ways, might be a little stronger, a little more consistent than its predecessor, Against the Wind. Still, this album has the slickest production Bob Seger had yet granted, and the biggest hit single on The Distance wasn't written by him, it was a cover of Rodney Crowell's "Shame on the Moon."…

" contains three classic musique concrète compositions from Michel Chion. All were produced at the GRM in Paris (the acousmatic headquarters of the world). The itself is an electronic take on the traditional form. is a ‘technical study’ which takes an original waltz theme and fragments it. is considered a ‘monodrama’ — that is, a drama centering around one ‘character.’ In this case what we hear are the detached reactions of this ‘character’ to a nightmare. It’s French, it’s acousmatic… what more could you ask for?"

I’ve always had a certain willingness to enjoy instrumental post rock albums. There’s a beauty in being able to tell a story without words, lyrics or sung propaganda. From Germany, Long Distance Calling sing true to that theme, creating a remarkable album without relying on what would be the most prominent element of most bands. Boundless defines what beauty beyond words can truly mean in modern music. Six records in, it’s easy to hear that Long Distance Calling have trimmed away the frills, returning to a semi-basics soundscape, captivating their listeners’ with “boundless” levels of musical prowess bridging the gaps between progressive rock, post metal and cinematic atmosphere without becoming overbearing or drawn out…

German instrumental-rock group LONG DISTANCE CALLING are pleased to announce their first ever live album ‘STUMMFILM – Live from Hamburg (A Seats & Sounds Show)’, scheduled for release on the 1st November 2019 through InsideOutMusic. Filmed during a special run of dates in early 2019, it saw the band performing seated shows in some very special locations for a stunning, experience.

La seule réalité se situe dans le domaine de la Foi. C’est par la rencontre avec un Autre que nous pouvons le comprendre. Mais il faut passer par la mort et la Résurrection, ce qui suppose le saut hors du temps. Assez étrangement, la musique peut nous y préparer, comme image, comme reflet, comme symbole. En effet, la musique est un perpétuel dialogue entre l’espace et le temps, entre le son et la couleur, dialogue qui aboutit à une unification. Le musicien qui pense, voit, entend, parle au moyen de ces notions fondamentales, peut, dans une certaine mesure, s’approcher de l’Au-delà.