The resurrection of Lonnie Smith continues with this exciting mini-survey of the Jimi Hendrix legacy. This time, the material allows Smith's crackling, tightly knit collaborators, John Abercrombie and Marvin "Smitty" Smith, to run a bit wild - indeed, Abercrombie's tone and attack takes on a Hendrix-like cast on the title track - while Lonnie mostly remains in the same cool soul-jazz frame of mind, an excellent foil. The most ambitious track, "Castles Made of Sand," takes on a military rhythm before breaking out into Smitty's everywhere-at-once drum patterns, cooking at a fine boil through its 23 1/2-minute length before breaking into a suitably chaotic rendition of "The Star Spangled Banner" toward the end. On the latter, Abercrombie has a ball pouring on the sarcasm, and Lonnie bounces around the organ…
The legendary Hammond B-3 organist Dr. Lonnie Smith has recorded over thirty albums as a leader, but his favorite setting to document his creativity is live. “It’s so hard to capture what I’m feeling at the moment in the studio,” he says. “Hearing me live is catching me playing in the moment. It’s a good vibe. It’s a loving situation.”
In the early '70s, Lonnie Smith's recordings frequently exhibited a debt to Jimi Hendrix's groundbreaking fusions, but he waited until 1994 to release Foxy Lady, a full-fledged tribute to the innovative guitarist. Foxy Lady was so successful that Smith decided to make another Hendrix album, again with John Abercrombie and Marvin "Smitty" Smith. Purple Haze is as entertaining as Foxy Lady - it's truly remarkable to hear how these blues-rockers can open up into soul-jazz numbers tinged with free jazz influences - and confirms not only Hendrix's composing talents, but also Smith's vision.
Although it predates his classic soul-jazz dates for Blue Note by a few years, Lonnie Smith's debut LP, Finger-Lickin' Good, boasts a deeply funky groove quite unusual for the mid-'60s, a period when few jazz musicians acknowledged the influence of more commercial musical pursuits, let alone introduced such elements into their own work. Aided and abetted by an all-star lineup including guitarist George Benson, saxophonist King Curtis, and trumpeter Blue Mitchell, Smith keeps the performances brisk and bold, galvanized by stiletto-sharp bursts of organ. Cuts like "Hola Muneca" and "Can't You Just Feel It" possess a raw vitality quite uncommon for the moment in question, and while it's disingenuous to call Finger-Lickin' Good groundbreaking, it's definitely a record ahead of its time.
Since Hammond B-3 specialist Lonnie Smith left Blue Note in the '70s, the largely self-taught musician has added the "Dr." to his name, adopted a traditional Sikh turban as a distinctive, if enigmatic style choice (it's unclear if he follows the religion), and continued to release a steady stream of highly regarded soulful well before the 21st century came around. With 2016's Evolution, Smith returns to Blue Note, his first studio album for the label since 1970's Drives. Produced by Don Was, Evolution is one of the most robust albums of his career. Where his previous few albums found him working in a trio format, on Evolution, Was surrounds Smith with various small group configurations featuring a bevy of post-bop, funk, and soul-ready musicians including drummers Jonathan Blake and Joe Dyson, guitarist Jonathan Kreisberg, trumpeters Keyon Harrold and Maurice Brown, and others…
Veteran Hammond B-3 master Dr. Lonnie Smith pairs with punk icon Iggy Pop on his inspired and deeply funky 2021 album Breathe. Smith initially came into his own in the 1960s, releasing a string of groove-based albums for Blue Note, including 1968's Think!, that helped define the sound of forward-thinking organ jazz. Over 30 years after his last album for Blue Note, he returned to the label with 2016's vibrant Evolution and 2018's All in My Mind; albums that found him recapturing the earthy energy of his original recordings. Continuing this latter-career resurgence, Breathe again finds him working with producer Don Was, and backed by an energetic ensemble of all-stars including guitarist Jonathan Kreisberg and drummer Johnathan Blake, who make up his core trio…