‘Scacco Matto’ is a continuation of Senni’s distinctive “pointillistic” style - where gated, taut sounds are arranged relentlessly as drumless rhythms and melody, which this time come in more song based structures. On this bold sonic ‘Rave-Voyeuristic’ statement, he takes the synthetic synapse manipulation of Trance and Computer Music, but intentionally encourages short circuits, resulting in unexpected signal paths moving in different directions, and making new fascinating shapes.
Two musical titans in the classical world, award-winning Italian bass Lorenzo Regazzo and Italian conductor Rinaldo Alessandrini, are brought together once again to record the greatest operatic arias by George Frederic Handel. Handel, one of the most celebrated operatic composers of the eighteenth century, always remained out of step with the preferences of his era - notably his attachment to the 'natural' male voice in a time when the high voices of women or castratos triumphed everywhere.
In this wonderful recording, cellist Lorenzo Meseguer and pianist Mario Mora bring together four composers who have historically been undervalued: From Fanny Mendelssohn’s Fantasia to Gustav Jenner’s Sonata in D major, the album also includes Felix Mendelssohn’s Sonata op. 58, a masterpiece for this combination, and an arrangement for cello and piano of Clara Schumann’s Three Romances op. 22.
Today, the five-string cello is treated as an exotic and rarely-played cousin of the standard cello. However, in the seventeenth and eighteenth centuries it was simply one of the many instruments used in the family of bass violins, and was particularly important for virtuosic sonatas and solos.
St John’s Passion is a newly discovered masterpiece of the Italian baroque. The autograph manuscript is in the Biblioteca dei Filippini in Naples. The Evangelist is a countertenor and Jesus and Pilate are tenors. The choir is the crowd and the accompaniment is a string quartet. An Italian harpsichord and an organo di legno have been used for the basso continuo and they are joined by a harp.