De la cuenca del Mediterráneo a Mesopotamia, de América al Lejano Oriente, hombres y pueblos han construido, durante miles de años, las bases de nuestra historia. Viajar en el tiempo es tan emocionante como viajar en el espacio. Superar los abismos de la historia y explorar el pasado es una aventura ilimitada que siempre ha apasionado al hombre. La arqueología es la ciencia que ofrece la clave para avanzar en este camino y proporciona los instrumentos necesarios para buscar, observar y comprender los testimonios de épocas remotas.
¡Descubra los secretos de los principales yacimientos arqueológicos con los mejores documentales jamás filmados! Antiguo Egipto, Islas Británicas, Antigua Roma, Rusia, Oriente Próximo, América del Sur, China, Antigua Grecia, África, Turquia.
Gustavo Dudamel and the Los Angeles Philharmonic’s revelatory interpretation of Gustav Mahler’s Symphony No. 8, recorded live at Walt Disney Concert Hall (30/31 May & 2 June 2019) will be released in June 2021. Their new album documents a landmark performance that brought the LA Philharmonic’s centennial season to a triumphant conclusion in 2019. Mahler’s extraordinary ‘Symphony of a Thousand’ spans a universe of emotions, channeled through everything from passages of intimate reflection to overwhelming outbursts of choral and orchestral sound.
Out on Glossa is the first-ever recording of one of the most important preserved dramatic works by one of the major figures of the European full Baroque, José de Nebra: Vendado es Amor, no es ciego, a 1744 summertime zarzuela success in Madrid. Alberto Miguélez Rouco conducts an animated vocal sextet and Los Elementos in a production prepared for and executed under the auspices of the Schola Cantorum Basiliensis. Rather than the moralizing plots of the dramma per musica, zarzuelas focused on tales of love, power and slanging matches between mythological figures with commentary provided by comic frequently bawdy characters.
The reissue game continues. All of this material has been available more or less continuously in recent years, with the exception of Frühbeck's Three-Cornered Hat, which only resurfaced quite recently on an EMI twofer accompanied by Atlántida. The reason it reappears here, evidently, stems from the fact that this two-disc set contains all of Victoria de Los Angeles' stereo Falla recordings; and despite the fact that she sings for about 60 seconds in total in "Hat", it's always a pleasure to hear Frühbeck's big-hearted, expansively Romantic but always exciting way with the music.