Leslie West first gained recognition as the lead guitarist for the Vagrants, a locally popular 1960s Long Island group. One of that band's singles was produced by Felix Pappalardi, a bass player who also produced Cream. After the Vagrants and Cream split up, Pappalardi played bass on and produced West's debut solo album, Mountain (July 1969). Following its release, the two teamed up with drummer Norman Smart (soon replaced by Corky Laing) and keyboard player Steve Knight to form the band Mountain. They cut the albums Climbing! (February 1970, a gold-selling LP featuring the Top 40 single "Mississippi Queen"), Nantucket Sleighride (January 1971, which also went gold), and Flowers of Evil (November 1971). In 1972, Pappalardi left Mountain to return to producing.
Originally released in 1999, Host earned Paradise Lost their reputation as West Yorkshire's musical chameleon, as it saw the band moving further away from their previous death metal roots to a melancholic and catchier electropop sound.
Singer Nick Holmes comments: "With the Host album we wanted to take the One Second concept further and make a very dark album with even more subtlety. It was a bold leap from all our previous albums, a leap too far some would say, but for me, the new remastered version really shows it's still one of the bands strongest albums in terms of song writing, atmosphere and sheer misery."
The Moody Blues‘ third album, In Search of the Lost Chord will be reissued as a five-disc, 50th anniversary box set in November. This set features three CDs and two DVDs. The CDs include both the original stereo mix and a new stereo mix, along with mono ‘A’ and ‘B’ sides of the original Deram-era singles, BBC radio sessions, alternate mixes and other bonus tracks (including a never-before-heard mono version of ‘Legend Of A Mind’).
Most famous for featuring Leslie West on guitar in his pre-Mountain days, the Vagrants were extremely popular in their home base of Long Island, NY in the mid-'60s, and recorded some decent singles without approaching a national breakout. Like fellow New Yorkers the Rascals, the Vagrants prominently featured a Hammond organ, and often played soul-influenced rock. The Vagrants were far more guitar-based than the Rascals, however, as well as projecting a more garagey, less mature outlook; their later material lands somewhere between the Rascals and Vanilla Fudge.