Best known for his soul-jazz and breakbeat-friendly grooves of the late '60s and early '70s, alto saxophonist Lou Donaldson first established himself as a strong bop player in the Charlie Parker mold. His sweet and slightly tart tone was freshly essayed on several fine combo outings from the '50s, most of which at least gave a nod to the R&B-based material to follow. And while its sequel takes care of those groove cuts from the Age of Aquarius, this first volume of Donaldson's best keeps it swingin' with several top Blue Note sides from 1957-1967. A stellar taste of the future funk gravy aside ("Alligator Boogaloo"), the nine tracks here embrace Donaldson's early bop 'n' blues mantra via a mix resplendent with roots ("Groovin' High"), easy strollin' swing ("The Blues Walk"), a Bird-meets-the-B-3 moment ("Sow Belly Blues"), and a rare big-band ballad ("Sweet Slumber")…
Lou Donaldson (born November 1, 1926) is an American semi-retired jazz alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker…
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Funky genius from Lou Donaldson – one of his first funky albums for Blue Note, and a real killer all the way through! The album has a great young group working with Lou – players that include Blue Mitchell on trumpet, Lonnie Smith on organ, Leo Morris (aka Idris Muhammed) on drums, and George Benson on guitar – grooving with that really soulful early sound of his! The album has that hard Lou Donaldson funky sound that still sounds fantastic today – and titles include "Dapper Dan", "Midnight Creeper", "Bag of Jewels", and "Love Power".
Lou Takes Off is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Sextet with Donald Byrd, Curtis Fuller, Sonny Clark, Jamil Nasser, and Art Taylor. The album was awarded 4½ stars by Lee Bloom in an Allmusic review which stated "This recording marks a period in his development prior to a stylistic shift away from bop and toward a stronger rhythm and blues emphasis… Overall, Lou Takes Off breaks no new musical ground, but it is a solid, swinging session of high-caliber playing. According to Donaldson, Blue Note initially didn't like any of the album, "the conga drums or the new musicians."