Since Quartet/Quintet/Sextet is Lou Donaldson's first full-length album, it's not surprising that it captures the alto saxophonist at the height of his Charlie Parker influence. Throughout the album - on CD, the collection features all the music on the 12" LP, music from its 10" incarnation, and three alternate takes - Donaldson plays in a straight bop vein, whether on up-tempo swingers or ballads. Most of the songs on the collection are standards, with a couple of fine originals from Donaldson and pianist Horace Silver spicing the mix; in particular, Silver's rollicking, Latin-tinged "Roccus" is a standout…
Like fellow alto saxophonists Phil Woods, Jackie McLean, Frank Morgan, Ernie Henry, and Sonny Criss, Lou Donaldson started out with a very Charlie Parker-like tone but went on to develop a recognizable sound of his own. Bird's influence never disappeared from Donaldson's playing, although he successfully combined that influence with many ideas of his own. The title Birdseed might lead some to wonder if this 1992 date is a tribute to Parker – it isn't, and the CD doesn't contain any Parker songs at all.
Lou Donaldson's undisputed masterpiece, Blues Walk, marks the point where the altoist began to decisively modify his heavy Charlie Parker influence and add a smoky, bluesy flavor of his own. The material is still firmly in the bebop vein, and the mellower moments aren't as sleepy as some of Donaldson's subsequent work, so the album sounds vital and distinctive even as it slows down and loosens things up. That makes it the definitive release in Donaldson's early, pre-soul-jazz period, but what elevates Blues Walk to classic status is its inviting warmth. Donaldson's sweetly singing horn is ingratiating and melodic throughout the six selections, making even his most advanced ideas sound utterly good-natured and accessible…