New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Zyryab —blackbird— nickname given to the Baghdadi-Cordoban Abu Al-Hasan Ali Ibn Nafi who lived between the years of 789 and 857 AD and decisively influenced the development of traditional Arab music on the Iberian peninsula.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. 1971 was without doubt a singular year in the recording career of Paco de Lucía. Far from trying to travel new paths alone, Paco preferred to record an album brimming with Flamenco inspiration with all of its ingredients: vocal, toque and dance.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Paco de Lucía’s calling as a concert artist reached previously unexpected heights with this album in which the solo guitar in the hands of the young Paco de Lucía is supported by five of the most important guitarists of the time: his brother Ramón de Algeciras, Enrique Jimenez (from Melchor), Paco Cerero, Isidro Sanlúcar (Muñoz), and Julio Vallejo. This is a concert of ten works conceived after the success of several previous recitals with the same group and Curro de Jerez.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. On a large estate close to the city of his birth, Algecirans celebrate a particular saint’s day, which gives the title to this solo album by Paco de Lucía. Perhaps this is one of the albums that has had most impact on the young generations of Flamenco performers and creators of the last decades. For many this was the culmination of a process that coincided with the arrival of democracy to Spain.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Following the positive reception for Almoraima, although busy with his concerts with Santana, Paco still found time to present his personal vision of Manuel de Falla, selecting from the work of the composer from Cádiz those pieces most adaptable to the Flamenco melos (Flamenco melody). He takes pieces from the ballets El Amor Brujo and El Sombrero de Tres Picos, from the opera La Vida Breve, and one of the Siete Canciones Populares. The adaptation of these works is viewed through the prism of respect to the maestro, with the intention of serious application, though without stylistic restrictions, with the goal that the result be as Flamenco possible, an art for which Falla professed great admiration.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Paco de Lucía’s El Sexteto (The Sextet) have been travelling the world for more than twenty years taking the latest Flamenco into the furthest corners of the world. Thanks to them Spanish music and the most avant-garde Flamenco is known, respected and admired as a product of the individual work of artists such as those playing here, putting everything into the service of the art.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Paco de Lucía wanted to highlight his capacity as both composer and interpreter in this 1972 album, evoking with the title the duende —the name Flamenco artists give to the power that comes from within. There are ten extraordinary tracks, some with orchestral arrangements by Paco and Torregrosan —transcriber of the score for Paco de Lucía's work in the early years of his career—, here responsible for the musical direction and the arrangements. For the first time the sound engineer is credited: José Díaz Auñón. The inclusion of an orchestra was at Paco’s own request, although it seemed he wasn’t totally satisfied with the results.