Lucia Noceglia

Paco de Lucia - La Fabulosa Guitarra de Paco de Lucia (1967) {2010 Nueva Integral Box Set CD 04of27}
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© 1967, 2010 Philips / PolyGram / Universal Music | 0042284295420
Flamenco / World Music / Guitar

New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Fabulous guitar in name and fabulous guitar in sound; along with a carefully selected repertoire, which shows off a refined panorama of the Flamenco toque offering an intelligent variety of genres for this his first full length album as a solo artist. The titles of the tracks selected show his great connection to the land, offering us a selection of the fundamental styles of the Flamenco geography: ‘Triana’, ‘Cádiz’, ‘Punta Umbría’, ‘Jerez’, ‘La Unión’, ‘La Caleta’ and ‘El Tajo’.

Paco de Lucia - Fantasia Flamenca de Paco de Lucia (1969) {2010 Nueva Integral Box Set CD 07of27}
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© 1969, 2010 Mercury / Universal Music | 0042284295321
Flamenco / World Music / Guitar

New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. The stamp of Sabicas is present in this second solo LP, with ten Flamenco numbers written alone for the first time, with the exception of ‘Los Panaderos Flamencos’ and ‘Mantilla de Feria’ which are by Esteban de Sanlúcar. It is recorded with a different guitar to the previous records, now made from rosewood, black as opposed to the white Cypress.

Paco de Lucia - Recital de Guitarra de Paco de Lucia (1971) {2010 Nueva Integral Box Set CD 11of27}
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© 1971, 2010 Universal Music Spain | 0042283883024
Flamenco / World Music / Guitar

New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Paco de Lucía’s calling as a concert artist reached previously unexpected heights with this album in which the solo guitar in the hands of the young Paco de Lucía is supported by five of the most important guitarists of the time: his brother Ramón de Algeciras, Enrique Jimenez (from Melchor), Paco Cerero, Isidro Sanlúcar (Muñoz), and Julio Vallejo. This is a concert of ten works conceived after the success of several previous recitals with the same group and Curro de Jerez.

Paco de Lucia - El mundo del Flamenco (1971) {2010 Nueva Integral Box Set CD 10of27}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 200 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 600 dpi (jpg) -> 19 Mb | 5% repair rar
© 1971, 2010 Philips / Polygram / Universal Music | 0731453270220
Flamenco / World Music / Guitar

New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. 1971 was without doubt a singular year in the recording career of Paco de Lucía. Far from trying to travel new paths alone, Paco preferred to record an album brimming with Flamenco inspiration with all of its ingredients: vocal, toque and dance.

Paco de Lucia - El Duende Flamenco de Paco de Lucia (1972) {2010 Nueva Integral Box Set CD 12of27}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 238 Mb | MP3 @320 -> 94 Mb
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© 1972, 2010 Philips / PolyGram Iberica / Universal Music Spain | 0042282441720
Flamenco / World Music / Guitar

New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Paco de Lucía wanted to highlight his capacity as both composer and interpreter in this 1972 album, evoking with the title the duende —the name Flamenco artists give to the power that comes from within. There are ten extraordinary tracks, some with orchestral arrangements by Paco and Torregrosan —transcriber of the score for Paco de Lucía's work in the early years of his career—, here responsible for the musical direction and the arrangements. For the first time the sound engineer is credited: José Díaz Auñón. The inclusion of an orchestra was at Paco’s own request, although it seemed he wasn’t totally satisfied with the results.

Paco de Lucia - Interpreta a Manuel de Falla (1978) {2010 Nueva Integral Box Set CD 16 of 27}
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© 1978, 2010 Philips / PolyGram Iberica / Universal Music Spain | 0042283603226
Flamenco / World Music / Guitar

New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Following the positive reception for Almoraima, although busy with his concerts with Santana, Paco still found time to present his personal vision of Manuel de Falla, selecting from the work of the composer from Cádiz those pieces most adaptable to the Flamenco melos (Flamenco melody). He takes pieces from the ballets El Amor Brujo and El Sombrero de Tres Picos, from the opera La Vida Breve, and one of the Siete Canciones Populares. The adaptation of these works is viewed through the prism of respect to the maestro, with the intention of serious application, though without stylistic restrictions, with the goal that the result be as Flamenco possible, an art for which Falla professed great admiration.

Paco de Lucia, one of the greatest living guitarist in the world, was born Francisco Sanchez Gomez in Algeciras, a city in the province of Cadiz, in the Southernmost tip of Spain on December 21st, 1947. His stage name is an homage to his mother Lucia Gomez.

His father, Antonio Sanchez, a day laborer, played guitar at night as a way to supplement his income. He, Paco's elder brother Ramon de Algeciras and flamenco master Ni–o Ricardo were de Lucia's main influences. His first performance was on Radio Algeciras in 1958. The brothers Ramon, Pepe (a singer) and Paco now compromise half of the Paco de Lucia sextet.

The training ground for a flamenco guitarist, de Lucia once said, "is the music around you, made by people you see, the people you make music with. You learn it from your family, from your friends, in la juerga (the party) drinking. And then you work on technique. Guitarists do not need to study. And, as it is with any music, the great ones will spend some time working with the young players who show special talent. You must understand that a Gypsy's life is a life of anarchy. That is a reason why the way of flamenco music is a way without discipline as you know it. We don't try to organize things with our minds, we don't go to school to find out. We just live…….. music is everywhere in our lives."

The origins of the word flamenco are somewhat in dispute. Some argue that the word refers to the Flemish people who arrived in Spain in the 16th Century and once meant simply foreigner or non-Spanish. Others suggest that the word derives from the Arabic phrase "felah mengu," meaning pleasant in flight.

What is indisputable is that flamenco is a blend of the many cultures - Gypsy, Muslim, Jewish - that at one time settled in Andalucia, in the South of Spain. Their influences can be heard distinctively in the melisma of the singer, the rhythms, the slowly curling harmonic lines of the guitars.