m s Gustloff

Lyfe'N'Tyme is the 1994 debut album from American rap group The B.U.M.S. which stood for Brothas Unda Madness. Released on Priority, this featured the hit song "Elevation (Free My Mind)". This was the group's only album.

A gripping tale of exploration aboard H.M.S. Challenger, an expedition that laid the foundations for modern oceanography

It's hardly as if R.E.M.'s glory days of the '80s haven't been compiled before – just after they left I.R.S. for Warner, the Eponymous collection appeared in 1988, and over the years more collections have appeared in both domestic and foreign markets – but 2006's And I Feel Fine…: The Best of the I.R.S. Years 1982-1987 is the first collection since Eponymous to be assembled with a purpose.

"Drive" is the lead single and first track from American alternative rock band R.E.M.'s eighth studio album Automatic for the People in 1992. Although it was not as commercially successful as previous lead singles "Losing My Religion," "Stand," or "The One I Love" in the United States, it became R.E.M.'s then second biggest hit on the UK Singles Charts, peaking at #11. It managed a peak of #28 on the Billboard Hot 100. The song did hit number one on the Modern Rock Tracks and number two on the Mainstream Rock Tracks.

Out of Time is the seventh studio album by American alternative rock band R.E.M., released on March 12, 1991 by Warner Bros. Records. With Out of Time, R.E.M.'s status grew from that of a cult band to a massive international act. The record topped the album sales charts in both the U.S. and the United Kingdom, spending 109 weeks on American album charts and enjoying two separate spells at the summit, and spending 183 weeks on the British charts and a single week at the top. The album has sold over four and a half million copies in the U.S. and over 18 million copies worldwide. The album won three Grammy Awards in 1992: one as Best Alternative Music Album, and two for the first single, "Losing My Religion." R.E.M. celebrated the 25th anniversary of their 1991 blockbuster Out of Time by releasing a deluxe edition of the album. This was their first release with Concord Bicycle, who signed a licensing deal for the band's Warner albums in 2015, and it's appropriately splashy: there's a standard double-CD set with a full disc of unreleased material.

It's hardly as if R.E.M.'s glory days of the '80s haven't been compiled before – just after they left I.R.S. for Warner, the Eponymous collection appeared in 1988, and over the years more collections have appeared in both domestic and foreign markets – but 2006's And I Feel Fine…: The Best of the I.R.S. Years 1982-1987 is the first collection since Eponymous to be assembled with a purpose.

R.E.M. mark the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe", was released in 1981, it sparked a back-to-the-garage movement in the American underground. While there were a number of hardcore and punk bands in the U.S. during the early '80s, R.E.M. brought guitar pop back into the underground lexicon. Combining ringing guitar hooks with mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded traditional and modern. Throughout the '80s, they worked relentlessly, releasing records every year and touring constantly, playing both theaters and backwoods dives. Along the way, they inspired countless bands, from the legions of jangle pop groups in the mid-'80s to scores of alternative pop groups in the '90s, who admired their slow climb to stardom.