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H.M.S. Fable is the third album by Liverpudlian band Shack, released in June 1999 via London Records. It was the band's first album following their reformation after the interest generated by their previous much-delayed album Waterpistol and the album by offshoot band The Strands. H.M.S. Fable was well received by the critics: among the UK music publications, the album was placed at number 2 on both the NME and Uncut critics' poll of the albums of the year for 1999, and number 5 in Select magazine. The album was included in the book 1001 Albums You Must Hear Before You Die.

Fables of the Reconstruction (or Reconstruction of the Fables) is the third studio album by American alternative rock band R.E.M. It was released on June 10, 1985, through I.R.S. Records. It was the band's first album recorded outside of the U.S., with sessions taking place at Livingston Studios in London with producer Joe Boyd. The record displays a darker, murkier sound and lyrics drawing from Southern Gothic themes and characters. Additionally, more varied instrumentation is utilized, including string and brass arrangements and banjo. Critical reception to Fables of the Reconstruction was positive, with many reviews noting its folk elements and murky tone. Retrospectively, it has also been viewed as a transitional album, retaining the sound and obscure themes of the band's early work while hinting at the experimentation with acoustic instrumentation that would be present on their later albums.

Fables of the Reconstruction (or Reconstruction of the Fables) is the third studio album by American alternative rock band R.E.M. It was released on June 10, 1985, through I.R.S. Records. It was the band's first album recorded outside of the U.S., with sessions taking place at Livingston Studios in London with producer Joe Boyd. The record displays a darker, murkier sound and lyrics drawing from Southern Gothic themes and characters. Additionally, more varied instrumentation is utilized, including string and brass arrangements and banjo. Critical reception to Fables of the Reconstruction was positive, with many reviews noting its folk elements and murky tone. Retrospectively, it has also been viewed as a transitional album, retaining the sound and obscure themes of the band's early work while hinting at the experimentation with acoustic instrumentation that would be present on their later albums.

R.E.M. mark the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe", was released in 1981, it sparked a back-to-the-garage movement in the American underground. While there were a number of hardcore and punk bands in the U.S. during the early '80s, R.E.M. brought guitar pop back into the underground lexicon. Combining ringing guitar hooks with mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded traditional and modern. Throughout the '80s, they worked relentlessly, releasing records every year and touring constantly, playing both theaters and backwoods dives. Along the way, they inspired countless bands, from the legions of jangle pop groups in the mid-'80s to scores of alternative pop groups in the '90s, who admired their slow climb to stardom.

Although they never had much success in America, the Euro-disco group Boney M. were a European phenomenon during the '70s. After German record producer Frank Farian (born in 1942) recorded the single "Baby Do You Wanna Bump?" (which was successful in Holland and Belgium), he created Boney M. to support the song, bringing in four West Indian vocalists who had been working as session singers in Germany – Marcia Barrett (b. October 14, 1948, St. Catherines, Jamaica), Liz Mitchell (b. July 12, 1952, Clarendon, Jamaica), Maizie Williams (b. March 25, 1951, Monserrat, West Indies), and Bobby Farrell (b. October 6, 1949, Aruba, West Indies, d. December 30, 2010, St. Petersburg, Russia). "Daddy Cool" reached the U.K. Top Ten in February 1977, followed in April by a remake of Bobby Hebb's "Sunny." In July, "Ma Baker" just missed the U.K. number one spot, and "Belfast" hit the Top Ten in December. In 1978, Boney M. were at the height of their popularity with "Rivers of Babylon"/"Brown Girl in the Ring," which became the second-biggest selling single in U.K. chart history. "Rivers of Babylon" also was Boney M.'s only U.S. Top 40 hit. Boney M.'s album, Nightflight to Venus, also topped the U.K. charts. In October 1978, "Rasputin" became another U.K. Top Ten hit, followed by the seasonal chart-topper "Mary's Boy Child"/"Oh My Lord," which became the fifth-biggest selling single in U.K. history. In March 1979, "Painter Man" hit the U.K. Top Ten, followed in May by "Hooray! Hooray! It's a Holi-Holiday." In September, the album Oceans of Fantasy hit number one. Their music continues to sell well in Europe, with a compilation hitting the U.K. Top Ten in 1994. Farian went on to create the late-'80s dance sensation Milli Vanilli.