Macmian The Sixteen

The Tallis Scholars - Sing Tudor Church Music, Vol. 2
Music written by Sheppard, Tallis, White
2xCD | EAC+LOG+CUE | FLAC: 575 MB | Artwork | 5% Recovery Info
Label/Cat#: Gimell Records # CDGIM 210 | Country/Year: UK 2008
Genre: Classical | Style: Renaissance, Sacred, Vocal

"…For those newcomers to this group, suffice it to say that you will rarely find an ensemble as carefully rehearsed or skillfully prepared for the repertory they choose to engage in—simply one of the finest ever, legendary, and there has never been a disc they have released that has gotten less that rave reviews…" ~audiophile-audition

The Tallis Scholars - Sing Tudor Church Music, Vol .1
Music written by Browne, Cornysh, Taverner, Tye
2xCD | EAC+LOG+CUE | FLAC: 621 MB | Artwork | 5% Recovery Info
Label/Cat#: Gimell Records # CDGIM 209 | Country/Year: UK 2008
Genre: Classical | Style: Renaissance, Sacred, Vocal

"…For those newcomers to this group, suffice it to say that you will rarely find an ensemble as carefully rehearsed or skillfully prepared for the repertory they choose to engage in—simply one of the finest ever, legendary, and there has never been a disc they have released that has gotten less that rave reviews…" ~audiophile-audition

Henry Purcell - Love's Goddess Sure was Blind: The Complete Funeral Music for Queen Mary
The Sixteen / The Symphony of Harmony and Invention / Harry Christophers
EAC+LOG+CUE | FLAC (tracks): 330 MB | Artwork: 36 MB | 5% Recovery Info
Label/Cat#: Coro # COR16024 | Country/Year: UK 2004
Genre: Classical | Style: Baroque, Vocal, Sacred

"…But now, in the middle of the 2000s, they're back, and they've brought with them an even more wonderful recording of Purcell's funeral music. It's more wonderful because, good as the Collins recording sounded, this Coro recording sounds even better: deeper, richer, warmer, and even more detailed. It's more wonderful because, good as the earlier performances were, these performances sound even better: more passionate, more precise, and even more powerful. And it's more wonderful because while this is exactly the same recording that appeared on Collins, it somehow sounds more wonderful released on the Coro label. How this is possible is impossible to know, but that it does is indisputable. If you don't have Harry Christophers and the Sixteen's Music for the Funeral of Queen Mary, here it is again. This time, don't miss it."

The Sixteen adds to its stunning Handel collection with a brand new recording of Dixit Dominus set alongside a little know treasure - Agostino Steffani’s Stabat Mater. Full of virtuosity, vibrant colour and dynamic energy, Handel’s Dixit Dominus captures absolutely the Italian style of the period. Handel’s control of forces is masterly and the range of texture and style is breathtaking. Written during the composer’s time in Italy in the early eighteenth century it is amongst his first autographed works and also one of his finest. By comparison Agostino Steffani’s little known Stabat Mater was one of his last compositions. Written for the Academy of Vocal Music in London, this work is the most powerful expression of Steffani’s religious fervour and, outside opera, his largest, most varied and most heartfelt composition.