Macmian The Sixteen

Frank Martin's most important choral work is his a cappella Mass for Double Choir (1922-1926), though he also composed several short occasional choral pieces, which Harry Christophers and the Sixteen present with the Mass to round out this 2005 release. By arranging the program with less familiar works first, Christophers wants listeners to discover the variety of Martin's vocal writing, and to hear pieces that are seldom performed, let alone performed as well as this superb ensemble delivers them.

Harry Christophers and The Sixteen have long been celebrated for their recordings and performances of Handel. Over the past three decades Harry Christophers and his award-winning ensemble have expanded their Handel repertoire to take in his greatest works. They have also made numerous recordings of Handel’s masterpieces and this twelve CD boxed set features a selection of some of their finest discs along with three remarkable solo albums featuring The Sixteen’s celebrated orchestra and acclaimed sopranos Sarah Connolly, Ann Murray and Elin Manahan Thomas.

Following The Sixteen’s hugely successful album, ‘Song of the Nativity’, which featured Christmas music from the 19th, 20th and 21st centuries, this new seasonal offering explores a stunning selection of festive works from the Renaissance. The Sixteen captures the joy and sincerity of this most wonderful of seasons, from the joyous simplicity of plainsong chants Resonemus laudibus and Veni, veni Emmanuel to the shining purity of Lassus’ polyphonic Videntes stellam Magi and Byrd’s jubilant This day Christ was born. This album provides a perfect alternative to traditional carols for those looking for something a little different at Christmas.

Ikon by Harry Christophers and the Sixteen is a marvelous offering of sacred choral gems, the group's second collection on Decca following the successful 2005 release Renaissance: Music for Inner Peace. A perfect disc to introduce this well-established vocal ensemble to newcomers, Ikon consists of 16 works that are evenly matched in their sublime moods and understated delivery; listeners who might enjoy an hour-long disc of uninterrupted "chill-out" bliss are likely to find it here, while others who relish gorgeous tone quality and rich divisi harmonies will be delighted with the warm, resonant performances.

Saul may not be Handel's most dramatically coherent oratorio, but it is full of moments of high drama, and this recording with Harry Christophers, leading the Sixteen and an outstanding group of soloists, does a terrific job of making those moments throb with vitality. The singers bring an operatic intensity to their roles. Baritone Christopher Purves is a grippingly anguished protagonist, and his voice has plenty of power and authority. Mezzo-soprano Sarah Connolly's David is vocally exceptional, a model of dignity and warmth, and her dramatic performance is subtly modulated. As Saul's daughters Merab and Michal, Elizabeth Atherton and Joélle Harvey have clearly differentiated voices and each brings a focused, vibrant soprano to her character. Among the principals, only tenor Robert Murray as Jonathan is disappointing for the unevenness of his vocal production.