Madeline Miller

Sin City est une série de bande dessinée américaine de Frank Miller (scénario et dessin), notable par le choix du noir et blanc. Il est cependant fréquent de retrouver dans les pages de Sin City quelques notes de couleurs, lorsque l'auteur souhaite attirer l'attention du lecteur et provoquer une émotion (sang rouge, yeux bleus…).
Sexy, violente, la bande dessinée de Miller poussa ses thèmes de prédilection (violence urbaine, corruption…) dans leurs derniers retranchement, usant d'artifices gores, cruels et gratuits selon les uns, totalement justifiés pour les autres. Malgré la controverse, les critiques se sont cependant accordés pour reconnaître l'extraordinaire travail d'encrage sur le contraste et la lumière effectué par Miller.
Sin City a fait l'objet d'un film réalisé en 2005 par Robert Rodriguez et Frank Miller, avec une scène réalisé par Quentin Tarantino .

The Sin City graphic novels are among the most widely acclaimed comics in history, but Frank Miller is also a master of the quick and dirty yarn. Collected in this sixth volume of his crime-comic megahit are all of Miller's Sin City shorts and one-shots, newly redesigned with a brand-new cover by Miller, some of his first comics art in years! Collecting classics like "Just Another Saturday Night" and "Silent Night," both starring the iconic big lug with a condition, Marv; "The Customer Is Always Right," featured in the Sin City film; and "The Babe Wore Red," starring Sin City's most enduring hero, Dwight, Booze, Broads, and Bullets spans every kind of dark business you might encounter on a cold night in Basin City. It's sure to scratch your Sin City itch again and again, in just that way that makes you itch for more. With Miller and co-director Robert Rodriguez gearing up for Sin City 2, this third edition is being released at just the right time!

was a trade paperback (TPB) published by Marvel Comics that contains stories originally published by Marvel in single-issue comics magazine form as . The modern definition of Daredevil began in 1979 with Frank Miller's entrance on the title. Miller's first contributions were as an artist, where he imbued a new dynamism and a dramatically different visual style. The series' tone became noirish with Hell's Kitchen itself playing a more prominent role. With , Miller additionally became the series' writer, and the comic underwent a drastic metamorphosis. The most significant change was the introduction of Spider-Man villain Kingpin as Daredevil's new arch-nemesis. Until that point, Daredevil's enemies were primarily, though not exclusively, costumed villains. The Kingpin was a departure in that although he possessed extraordinary size, strength and fighting ability, his villainy came from his ruthless brilliance in running a criminal empire, rather than superpowers. The title still retained costumed antagonists — notably Bullseye and Elektra — but found its central theme to be one more grounded in reality: organized crime.

Can anything be darker than noir? Try Frank Miller's Sin City series. The tasty Hell and Back features Wallace, a brooding artist with a decided talent for hurting people, and Esther, a stunningly beautiful actress accidentally mixed up in a slavery ring that extends far and deep enough to transcend the word conspiracy. The tale twists, turns, and backtracks, teasing the reader with hints of terror to come--until the explosive climax. Miller's art is exactly right for his words; he uses more black than white, and color only when appropriate. The chapter dealing with Wallace's drug hallucinations is beautiful, heartbreaking, and terrifying in turn. Readers interested in the human dark side should find out what fans of Sin City already know: Frank Miller has seen it and wants to share.

Can anything be darker than noir? Try Frank Miller's Sin City series. The tasty Hell and Back features Wallace, a brooding artist with a decided talent for hurting people, and Esther, a stunningly beautiful actress accidentally mixed up in a slavery ring that extends far and deep enough to transcend the word conspiracy. The tale twists, turns, and backtracks, teasing the reader with hints of terror to come--until the explosive climax. Miller's art is exactly right for his words; he uses more black than white, and color only when appropriate. The chapter dealing with Wallace's drug hallucinations is beautiful, heartbreaking, and terrifying in turn. Readers interested in the human dark side should find out what fans of Sin City already know: Frank Miller has seen it and wants to share. --Rob Lightner --This text refers to an out of print or unavailable edition of this title.

Daredevil got a new lease on life in a landmark 1979-1983 run by writer-penciler Frank Miller and inker-penciler Klaus Janson, whose daring reinvention of the character quickly made Miller one of the biggest and most influential stars in the comic-book industry. Miller put his own stamp on established cast members such as reporter Ben Urich, femme fatale Black Widow, mad assassin Bullseye, the saw-fisted Gladiator, and monstrous crime boss Kingpin. Miller also introduced Daredevil's mysterious mentor Stick, deadly ninja foes the Hand, and Matt's long-lost love Elektra, a beautiful assassin who would become one of Marvel's most memorable characters Collects Peter Parker, the Spectacular Spider-Man #27-28, and Daredevil #158-161 and #163-172.

Daredevil got a new lease on life in a landmark 1979-1983 run by writer-penciler Frank Miller and inker-penciler Klaus Janson, whose daring reinvention of the character quickly made Miller one of the biggest and most influential stars in the comic-book industry. Miller puts his own stamp on established cast member such as reporter Ben Urich, femme fatale Black Widow, mad assassin Bullseye, the saw-fisted Gladiator, and monstrous crime boss Kingpin. Miller also introduced Daredevil's mysterious mentor Stick, deadly ninja foes the Hand, and Matt's long-lost love Elektra, a beautiful assassin who would become one of Marvel's most memorable characters. Collects Daredevil #173-184.

Información promocional de la editorial: ¿Quién fue Lee Miller? Muchas vidas en una sola mujer, muchos talentos en un espíritu libre.
Lee Miller, que nació en Estados Unidos en 1907, fue modelo para Vogue y Vanity Fair, fue fotógrafa y fue reportera de guerra en Europa durante la Segunda Guerra Mundial, documentando el papel de las mujeres en el periodo bélico.