Magali Selvi

The Stabat Mater is a musical setting of the Stabat Mater sequence, composed by Luigi Boccherini in 1781 (G.532a) and revised in 1800 (G.532b, Op.61). Boccherini (1743–1805) was a musician best known for chamber music (string quintets). His vocal work is played less often. He worked as a cantatrice and wrote numerous religious works (including one mass, two motets and two oratorios). His Stabat Mater was a command passed in 1781, when was patroned by the King of Spain's younger brother Luis of Spain, Count of Chinchón. It was conceived for a liturgical service at Palacio de la Mosquera, Arenas de San Pedro, where they were living. The text is a text dating from the 13th century and attributed to Jacopone da Todi which meditates on the suffering of Mary during the crucifixion. The first version consisted of one soprano voice accompanied by a string quintet (two violins, one viola, two cellos). It consists of 11 parts and lasts around three-quarters of an hour. The musician rewrote it around twenty years later (in 1801) when he added an overture for two voices: a contralto and a tenor. The definitive work is known as opus 61 of the musician.

To mark the 150th anniversary of the death of Hector Berlioz, ATMA Classique and Festival Classica present the first complete recording of the composer's arrangements of romances for voice and guitar. Selected from The Recueil de romances avec accompagnement de guitare, most of these pieces are arrangements of popular tunes from the comic operas that were all the rage in Paris in Berlioz's time. Soprano Magali Simard-Galdes and tenor Antonio Figueroa are accompanied by David Jacques, who plays an 1829 Jean-Joseph Coffe guitar. The young Quebecoise soprano Magali Simard-Galdes has been acclaimed for her crystalline timbre, great musicality, and magnetic stage present. Recent debuts include the role of Sophie in Werther for Opera de Quebec, and Louisette in Bonsoir viosin at Opera Lafayette. Montreal native Antonio Figueroa began his career with the Opera de Montreal in their artist-in-residence program. He has won several awards, including the International Vocal Arts Institute's Silverman Prize for his performance as Belmonte. Guitarist and lutenist David Jacques has a Ph.D. in early music performance from the Universitie de Montreal. His discography consists of more than 50 recordings across several labels.

Flautist Alexis Kossenko’s latest offering is evocative, impressionistic: a programme in which flute, piano and voice together have pride of place.

" Lisez avec attention les explications et les conseils que donne Magali dans cet ouvrage. Elle sait de quoi elle parle ! " - Dr Éric Ménat
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