From the symphony to the song would seem to be an enormous step: from the largest form for the largest orchestra to the smallest form for the smallest ensemble. Gustav Mahler nonetheless brought them together and interwove them in previous symphonies as well as in ‘Das Lied von der Erde’. "The long, endlessly stretched crescendo on the single note "e" (filled with so much desire) leads to the final part of Abschied, which I can only describe with the word ‘cosmic’. The voice is surrounded by floating meteors, objects, particles or stars, which move in various directions and speeds. We have left the atmosphere and look back on the beautiful green and blue planet." - Iván Fischer
Ivan Fischer tunrs his attention to Brahms following three acclaimed and Award-winning recordings of Mahler. Stunning interpretation of Brahms Symphony No.1 – once again Ivan Fisher forces the the listener to re-appraise familiar repertoire…
Fans of Gustav Mahler's joyous Symphony No. 4 in G major will relish this buoyant performance by Ivan Fischer and the Budapest Festival Orchestra, featuring soprano Miah Persson, for it is wholly in keeping with the light tone and merry spirit of the score and is as delightful as any other recording on the market.
The Radio Legacy is a compilation of the seven part Anthology of the Royal Concertgebouw Orchestra, the four box sets devoted to the orchestra s chief conductors Willem Mengelberg, Eduard van Beinum, Bernard Haitink and Riccardo Chailly, and also featuring more recent recordings with Mariss Jansons.
A host of accomplished conductors including Daniel Harding, Daniele Gatti, Bernard Haitink and Eliahu Inbal lead the Royal Concertgebouw Orchestra in these performances of Mahler's Symphonies Nos. 1-10. Recorded in Amsterdam over two seasons in 2010/11, the collection also includes 'Das Lied von der Erde'.
Amsterdam's Concertgebouw Orchestra has a famous Mahler tradition, dating back to the composer's contemporary Willem Mengelberg. Chailly's 12-CD set of all 10 symphonies (including the last, completed by Deryck Cooke) will add to the lustre. Chailly recorded them over a decade, to a mixed reception. They are comparatively reticent and serious - "de-neuroticised", one reviewer put it - with an emphasis on the integrity of the overall structure rather than the immediate phrase.