Mahler Dsf

Virpi Räisänen, one of the most sought after Finnish female singing talents at the moment, has garnered an impressive list of honours and achievements both as a mezzo soprano and earlier as a concert violinist. Next to her successful violin career singing was always her other passion, earning her singing diploma with the highest distinction. Her warm mezzo voice and her strong musicality is leading her from one success to another. "The Legacy of Mahler" is a collection of late Romanticism Lieder by Mahler as well as Alban Berg, Arnold Schoenberg, Dmitri Shostakovich and Benjamin Britten, who were all strongly inspired by Mahler. Räisänen's duo partner at the piano is the highly-acclaimed Marita Viitasalo.

Once the least performed and recorded of Gustav Mahler's symphonies, due mostly to its taxing length, the Symphony No. 2 "Resurrection" in C minor now appears with some regularity on disc and with increasing frequency on SACDs. This recording from Exton, featuring Zdenek Mácal and the Czech Philharmonic Orchestra, is remarkable for its spacious sound, close-up details, and wide-frequency range, and the interpretation is on a par with many other first-rate performances, so finding points of distinction between them is perhaps a futile endeavor, especially since only aficionados of this work will detect them. Mácal is certainly attuned to Mahler's extreme mood swings and a unique mix of innocent reverence and sardonic parody, and there is nothing lacking in the CPO's brilliant execution of the score, which displays many extended techniques and an extraordinary palette of tone colors.

Carlo Maria Giulini conducts the Chicago Symphony Orchestra in a Grammy winning performance of Gustav Mahler’s four-movement Symphony No. 1 in D. If you want a Mahler First above all for beauty of tone and phrasing and precision of ensemble, then this is a plain first choice. In addition Giulini’s qualities suit this work. For all the orchestral sophistication, he has a transparent honesty which accords well with Mahler in ‘Wayfaring Lad’ mood. Nor does he use the Chicago orchestra’s virtuosity to whip up excitement in fast tempo.

Israeli conductor Eliahu Inbal has become known to many worldwide for both his concert performances and his numerous recordings, including the complete symphonies of several composers. From 2008 to 2014 he is served as the principal conductor of the Tokyo Metropolitan Symphony Orchestra. This Exton release features Gustav Mahler's Sixth Symphony in A minor "Tragic". One point microphone recording!

Written when the composer was only in his late twenties, Mahler's first symphony is a study in optimism. 'In full sail' (his original title for the second movement) could be a motto for the whole work. In this vast symphony, we hear his love of nature and beauty, Mahler's childhood memories, fragments of distant military music, birdsong and even Yiddish folk tunes as they blend together into a paean to life and hope. The work's tribute to Beethoven is seen in its architecture, as it takes cues from his idol's famous ninth symphony. The fact that Mahler's first was debuted in the Hungarian capital Budapest gives Ivan Fischer and his Budapest Festival Orchestra a unique connection to its history.

Israeli conductor Eliahu Inbal has become known to many worldwide for both his concert performances and his numerous recordings, including the complete symphonies of several composers. From 2008 to 2014 he is served as the principal conductor of the Tokyo Metropolitan Symphony Orchestra. This Exton release features Gustav Mahler's Ninth Symphony in D major. One point microphone recording!

Gustav Mahler never heard Das Lied von der Erde, his penultimate completed work, nor the Ninth Symphony, which followed it closely. He was probably working on them more or less simultaneously. Despite his state of health, he managed not only to complete the full score of Das Lied, but also to prepare a version with piano accompaniment in place of the orchestra. There is however a third version, started by Arnold Schönberg - who saw Mahler as his mentor - in 1920, and scored for a chamber orchestra. This release features the European Chamber Soloists under Nicol Matt, with soloists Anna Haase (mezzo-soprano) and Daniel Sans (tenor).

Gustav Mahler never heard Das Lied von der Erde, his penultimate completed work, nor the Ninth Symphony, which followed it closely. He was probably working on them more or less simultaneously. Despite his state of health, he managed not only to complete the full score of Das Lied, but also to prepare a version with piano accompaniment in place of the orchestra. There is however a third version, started by Arnold Schönberg - who saw Mahler as his mentor - in 1920, and scored for a chamber orchestra. This release features the European Chamber Soloists under Nicol Matt, with soloists Anna Haase (mezzo-soprano) and Daniel Sans (tenor).

Gustav Mahler never heard Das Lied von der Erde, his penultimate completed work, nor the Ninth Symphony, which followed it closely. He was probably working on them more or less simultaneously. Despite his state of health, he managed not only to complete the full score of Das Lied, but also to prepare a version with piano accompaniment in place of the orchestra. There is however a third version, started by Arnold Schönberg - who saw Mahler as his mentor - in 1920, and scored for a chamber orchestra. This release features the European Chamber Soloists under Nicol Matt, with soloists Anna Haase (mezzo-soprano) and Daniel Sans (tenor).

Gustav Mahlers Symphony No.4 portrays another side of the composer, one hitherto unseen by the general public. No major battles are fought in this symphony; rather it is a childlike vision of life and a better world in the Hereafter. On this new Pentatone release, Marc Albrecht, its chief conductor, leads the Netherlands Philharmonic in performance of this work. The soprano Elizabeth Watts, whose voice was described by Intl Record Review as one of the most beautiful Britain has produced in a generation, is the touching last movements featured soloist.