Mama Gegen Papa Wer Hier Verliert Gewinnt

Successful and single businesswoman Kate Holbrook has long put her career ahead of a personal life. Now 37, she's finally determined to have a kid on her own. But her plan is thrown a curve ball after she discovers she has only a million-to-one chance of getting pregnant. Undaunted, the driven Kate allows South Philly working girl Angie Ostrowiski to become her unlikely surrogate. Simple enough … After learning from the steely head of their surrogacy center that Angie is pregnant, Kate goes into precision nesting mode: reading childcare books, baby-proofing the apartment and researching top pre-schools. But the executive's well-organized strategy is turned upside down when her Baby Mama shows up at her doorstep with no place to live. An unstoppable force meets an immovable object as structured Kate tries to turn vibrant Angie into the perfect expectant mom. In a battle of wills, they will struggle their way through preparation for the baby's arrival. And in the middle of this tug-of-war, they'll discover two kinds of family: the one you're born to and the one you make.

This unforgettable documentary presents the figure of one of the most renowned and respected leaders of the twentieth century: the difficult beginnings in Poland, the arrival on the world stage as the first non-Italian pope in more than 400 years, until his mission around the world in the guise of human rights advocate.

Simply heart-warming… Review by Neo: It is movies like Run Papa Run that keeps HK cinema interesting and its dwelling number of fans on hold. In what is quite frankly a below average year of HK Cinema, Run Papa Run comes at the right time and also it's about time too. With a flick of time, it's now the 1st of July, in financial terms; it is now officially the next financial year and luckily the latest flick from the ever dependable humanist director, Sylvia Chang steals the spotlight of 2008. What makes this flick so special is that despite venturing into a crowded and cliché genre of triad. The film somehow manages to not be clichéd and ingeniously linking Chang's most prominent theme of family values into a bittersweet packaging of a dark chocolate cake. Adding to the icing on top of the cake is the well established chemistry between Rene Liu and Louis Koo, where both seem to be just carrying on from last year's Happy Birthday.

Lorenzo è un uomo a cui piace la libertà, lavora come subacqueo su una piattaforma poco distante dalla costa adriatica, nella sua professione è uno dei migliori, ma non vuole nessun legame e se scende sulla terraferma è solo per divertirsi. Finché una sera incontra Claudia, bella, diversa dalle altre. Con lei è subito passione, forse amore, però Claudia non è sola: ha un figlio, Matteo, sei anni. Lorenzo da principio vede la cosa come un ostacolo, ma dopo qualche scontro nasce tra i due una sorta di complicità, affetto, un vero rapporto tra padre e figlio. Il destino porterà gli eventi verso una conclusione inaspettata.

Mexican-born, New York-based filmmaker Alfonso Cuarón directed this Mexican box-office smash hit about a pair of randy upper-class buddies that sparked some controversy for its frank depiction of drug use and sexual exploration. With their respective girlfriends away in Europe, Julio (Gael García Bernal) and his upper-class friend Tenoch (Diego Luna) are looking forward to a summer full of drink, drugs, and cheap meaningless sex. During a wedding, they meet Luisa (Maribel Verdú) - the 28-year-old wife of Tenoch's scholarly cousin - and try to convince her to go on a road trip to Heaven's Mouth, a made-up beach paradise the two claim is on the Oaxacan coast. To their surprise, Luisa - who is looking to escape her troubled life for a spell – agrees to go along. Two days into the trip, tension starts to build between the two friends: Luisa has had sex with each, and now both lads are not-so-quietly vying for her affection. Soon simmering jealousies boil over into savage arguments, threatening to completely destroy their friendship. After an enormously successful run in Mexico and Guatemala, this film was screened to much acclaim at the 2001 Venice, Toronto, and New York Film Festivals.