We could have taken the easy way out. The original 1993 box set was out of stock. We could simply have printed more copies and filled orders. Of course, we didn’t. This is Bear Family Records and we don’t take shortcuts. We’ve invested more than 1000 hours in re-writing, recompiling and re-mastering this box. The brilliant engineering by Christian Zwarg will leave you shaking your head in admiration. You won’t quite recognize some of your favorite Fats Domino tracks because they’ve never sounded this good.
With his cheeky, disillusioned, home studio-recorded folky yet rocky songs, Brad, a 31-year-old musician from Ottawa, inevitably gets compared to Beck quite often. As much as it can be a compliment, no artist likes to be told they sound like another; but by now Brad has gotten to terms with the parallel. “It used to bother me, I took it as ‘hey you’re a crappy Beck impersonator with no ideas of your own!’ But other musicians told me they get compared to Beck all the time also. So maybe it’s the musical equivalent of ‘tastes like chicken’. The guy’s done so much in many different styles it’s easy to compare nearly anything to something in his catalog.”
Epic/Legacy expanded Stevie Ray Vaughan’s second album Couldn’t Stand the Weather in 1999, adding four outtakes and an interview excerpt to the eight-track original, but the 2010 Legacy Edition expands it further still, retaining those four cuts, adding four songs from the posthumous compilation The Sky Is Crying (“Empty Arms,” “Wham!,” “Close to You,” “Little Wing”) along with three previously unreleased alternate takes (“The Sky Is Crying,” “Stang’s Swang,” “Boot Hill”), and a full, unreleased concert SRV & Double Trouble gave at the Spectrum in Montreal on August 17, 1984. Apart from “Empty Arms” and “Stang’s Swang,” every studio outtake is a cover, underscoring how Vaughan spent much of Couldn’t Stand the Weather drawing from his influences and synthesizing them into his own voice, and their addition actually strengthens the album considerably. With that in mind, the lively concert on the second disc is a bonus treat, evidence that SRV & Double Trouble were flying very high during 1984 and one of the better complete live sets in Vaughan’s discography.
The summer of 1984 saw the release of Stevie Ray's eagerly anticipated follow-up album, Couldn't Stand The Weather. Now the coronation was complete: A blues messiah had arrived. With a relentless touring schedule and a slick new video for the title track airing on fledgling MTV, Stevie Ray Vaughan became a force unto himself, playing with even greater authority than on his Texas Flood debut and touching off a mid-'80s blues revival that recalled the mid-'60s blues boom.
JSP's New Orleans Guitar compiles four CDs of performances by Smiley Lewis, Guitar Slim, and T-Bone Walker. It's hard to go wrong with these 102 recordings cut between 1947 and 1955. The tracks have been remastered, making the majority of this material sound great. Unlike other packages of this type, the liner notes are informative, listing personnel, dates, and a concise history without going on ad nauseam. As an extra bonus this is a budget-priced set, making it highly recommended, especially for the blues novice.