Marcyiiena Morgan

The trumpeter, then just 19, teams up with baritonist Pepper Adams, pianist Bobby Timmons, bassist Paul Chambers and drummer Philly Joe Jones for a particularly strong set that is highlighted by a lengthy and fiery "Night in Tunisia," "Lover Man" and a rapid rendition of "Just One of Those Things." Morgan plays remarkably well for his age (already ranking just below Dizzy Gillespie and Miles Davis), making this an essential acquisition.

Rare recordings produced by Howard Rumsey with his incredible Howard Rumsey's Lighthouse All Stars and Charles Persip's Jazz Statesmen. You might get the impression from the cover photo that this is a cutting contest between Conte and Lee, but that's not the case. They only play together on two numbers on the album; and the rest of the tunes feature one of the two. That's not to say there isn't some great playing from each of them - there is. This is a first-rate, laid-back, west coast album which also includes some great blowing from Rosolino, Golson, and Cooper. Candoli and Morgan are each in great shape and neither sounds as if he is intimidated by the other, nor are they trying to one-up the other with pyrotechnics.

Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military. Henderson makes a major contribution to the album, especially on "Totem Pole," where his solos showed off his singular style, threatening to upstage Morgan, who is also fairly impressive here…

Although recorded in 1965, this excellent Lee Morgan Quintet session (which features the trumpeter with altoist Jackie McLean, pianist Larry Willis, bassist Reggie Workman, and drummer Billy Higgins) was not released until 1981 and quickly went out of print until this 1998 CD reissue. It deserved a much better fate. The music (four Morgan and one McLean originals), even while being tied to the hard bop tradition, is challenging and (with the exception of the closing uptempo blues "Zip Code") quite tricky; really inspiring the talented players. An underrated gem.

This 1959 concert in Paris by Art Blakey's Jazz Messengers has been sporadically available on various labels, but this reissue in Verve's Jazz in Paris series is the best sounding and best packaged of the lot. Blakey's group of this period (Lee Morgan, Wayne Shorter, Jymie Merritt, and Walter Davis, Jr.) is in great form during an extended workout of Morgan's intense blues "The Midget," and Dizzy Gillespie's timeless "A Night in Tunisia" is kicked off by Blakey's an electrifying solo. But it is the addition of some special guests for the first two numbers that proves to be extra special. Bud Powell, sitting in for Davis, and French saxophonist Barney Wilen, on alto rather than his normal tenor sax, are both added to the band for inspired versions of Powell's "Dance of the Infidels" and "Bouncing with Bud." Morgan's trumpet playing is outstanding throughout the concert. This is one of the essential live dates in Art Blakey's rather extensive discography.

The story of how Morton Feldman and John Cage first met has now become elevated to the status of legendary musical folklore. During a 1950 New York Philharmonic performance of Webern’s Symphony Op. 21, Feldman decided to leave the concert at the interval. In the lobby he met Cage. As Cage says, “we both walked out of a Philharmonic concert in which Webern had just been played, and we shared the desire not to hear anything else because we had been so deeply moved.” It was the beginning of a deep friendship that was to influence both their respective creative spirits. Morton Feldman became a friend, flatmate and student of John Cage.